Skip to content
Search

‘It’s a Sex Call!’: Earth, Wind and Fire Singer Shares the Real Story Behind a Wedding Classic

Philip Bailey details the adulterous one-night stand that inspired “Reasons” in an exclusive clip from Questlove’s new documentary

‘It’s a Sex Call!’: Earth, Wind and Fire Singer Shares the Real Story Behind a Wedding Classic

Earth, Wind and Fire’s 1975 song “Reasons” is widely considered one of the defining love songs of the past 50 years. The sweeping R&B ballad, flush with horns and string and a yearning groove presided over by Philip Bailey’s impassioned falsetto, is so synonymous with the rich, full purity of true love that it’s become a wedding staple, soundtracking countless first dances over the decades.

But “Reasons” is not about that. At all. In fact, it’s the exact opposite. In Questlove’s new documentary about the legendary band, Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World), Bailey finally tells the whole story behind the That’s the Way of the World classic: It was inspired after a one-night stand… with a woman who was in a relationship.


In a new clip from the film, premiering exclusively on Rolling Stone, Anderson .Paak and H.E.R. speak for most people when they explain how they thought “Reasons” was just a regular love song. “I thought ‘Reasons’ was going down the list of all the reasons that he loved this person,” .Paak says with a sheepish smile, while H.E.R. adds: “When you have a falsetto like Philip, he can say anything and you’re gonna be like, ‘This is so beautiful, it’s so romantic!’”

Bailey finally gets the chance to respond with delighted incredulity: “How could people think that this song is a love song?”

As Bailey explains, “Reasons” came about after he spent the night with a woman, then woke up the next morning to hear her talking to someone on the phone. “She’s talking to her dude!” he remembers with a chuckle, adding, “It’s just a sex call! That’s it. So, if you played it at your wedding, I’m sorry.” (Capping off the clip, you can hear Questlove cackling behind the camera while Bailey offers a deadpan smile.)

Earth, Wind & Fire (To Be Celestial vs That’s the Weight of the World) had its world premiere at the Tribeca Film Festival, and it’s set to arrive on HBO June 7. The film offers a comprehensive look at the band’s history, music, and legacy, featuring interviews with Bailey and other surviving members of the band, including Verdine White and Ralph Johnson, plus an array of former members. But its center is the group’s founder and leader Maurice White, a complicated musical visionary who created some of the most indelible funk and pop gems while running the group with an iron fist and underpaying most of the other members.

There are also interviews with musicians like Stevie Wonder, Lionel Richie, and Flea. Former president and first lady Barack and Michelle Obama pop up as well, and even provide some commentary on “Reasons,” reminiscing about how it frequently played at high school dances. While Barack remembered if a girl said yes to slow-dancing with you during “Reasons,” that meant a whole five minutes to relish it, Michelle countered with, “If you said yes to a dude that was a little too sweaty, you were stuck!”

More Stories

Charli XCX Makes the Most of Her Moment With ‘Music, Fashion, Film’
Gus Van Sant for Rolling Stone

Charli XCX Makes the Most of Her Moment With ‘Music, Fashion, Film’

For more than a decade, Charli XCX was a secret weapon, a brazen experimentalist, a raw diarist, and (apologies to Chappell Roan) your favorite artist’s favorite artist. But she was not, exactly, a pop star — the kind that fills arenas,covers magazines,performs at the Grammys, and has the masses hanging on her every word. The British musician’s culture-shifting 2024 electro-pop confessionalBrat changed all that, lifting her name from “also starring” to above the title. Who better to churn out a 30-minute treatise on the art of image-making?

Charli is well on her way to mastering all three mediums spelled out in the title of her new LP, Music, Fashion, Film. But the story of her seventh studio album has been its seeming swerve, as announced by its first single, “Rock Music.” The track — with its croaking guitar, cymbal smashes, and stuttering vocals — sounds nothing like Brat’s gleaming, clubby gems (or the bouncy pop-punk of her 2014 LP Sucker, for that matter). But it doesn’t define an aesthetic as much as an ethos: hanging around and making stuff with your friends. As another hitmaking iconoclast once said, it’s still rock & roll to me.

Keep ReadingShow less
The Strokes’ ‘Reality Awaits’: Reality Bites a Little Too Hard
Johann Rashid*

The Strokes’ ‘Reality Awaits’: Reality Bites a Little Too Hard

The Strokes’ stock is pretty high in 2026, definitely higher than it was in 2016, and maybe even 2006. This year marks the 25th anniversary of their classic debut, Is This It? Their recent tour, the band’s first in 20 years, saw them light up a multigenerational audience of young olds and old youngs. Their standing isn’t only based on nostalgia either: Though the last Strokes album, 2020’s The New Abnormal, got a little lost in the Covid malaise, its standout hit, “The Adults Are Talking,” has as many Spotify streams as “Last Nite.” Meanwhile, the biggest indie band around, Geese, is undeniably post-post-Strokes, even if the band members were still in their strollers back when Julian, Albert, Fab, Nick, and Nikolai owned the night. Not a bad legacy to keep rolling into your second quarter century.

Keep ReadingShow less
The Jayhawks’ Gary Louris on His Canadian Love Story
Steve Cohen*

The Jayhawks’ Gary Louris on His Canadian Love Story

When I call Gary Louris to discuss the Jayhawks’ 12th studio album, Sanctuary Park, his wife answers. It appears I’ve been given her number instead of his, as she explains before rattling off his digits. The mix-up makes sense: Since Louris and Stephanie Stevenson got married in 2020, she’s become intrinsic to the Jayhawks frontman’s creative process — not only inspiring songs, like on his 2025 solo album Dark Country, but becoming a de facto band member.

“A lot of this record is an ode to my wife, Stephanie,” Louris tells me when I finally get him on the phone. “We look at ourselves a little bit, not to sound too pretentious, as the new John and Yoko, because we’re inseparable. She’s such a huge part of everything I do. I wanted to write about our love.”

Keep ReadingShow less
John Lydon: The Odds of Re-Joining the Sex Pistols are in the ‘Minus Infinities’
John Lydon: The Odds of Re-Joining the Sex Pistols are in the ‘Minus Infinities’
John Lydon: The Odds of Re-Joining the Sex Pistols are in the ‘Minus Infinities’

John Lydon: The Odds of Re-Joining the Sex Pistols are in the ‘Minus Infinities’

Contrary to any prejudices you may have about John Lydon, the former Johnny Rotten’s favorite choice of beverage is pineapple juice. In the middle of a Zoom call from his London home, where he reports he’s been “boiling alive” as England experiences a heat wave, Lydon pauses the proceedings for a refreshing refill. “Heeeere’s Johnny,” he snarls when he returns. And after a swig of the fruity nectar, he proclaims, “It cleanses the system,” while flashing a toothy grimace.

Lydon, best known as the Sex Pistols’ loudmouthed voice of punk anarchy and Public Image Ltd.’s caterwauling proclaimer that anger is an energy, turned 70 in January, but in many ways he’s still the same scabrous truth gobber he always was. He still sports plaid made of clashing colors (today, a variety of blues with … salmon?) and maintains a shock of red hair, which complements well his most prominent sign of aging: uncharacteristically rose-tinted glasses. He also still smokes like a chimney.

Keep ReadingShow less
Questlove Brings His VIP Game Nights to the Masses With ‘The Next Move’
Christian Germoso*

Questlove Brings His VIP Game Nights to the Masses With ‘The Next Move’

When Questlove is hosting one of his star-studded game nights, which by now have drawn everyone from J.J. Abrams to Taylor Swift, he makes sure to remember a key detail: The tables need to be round. “The rock manager Shep Gordon told me whenever you throw a social event, make sure the tables are circled and not square,” the Roots drummer, producer, DJ, author, and filmmaker says. That way, the guests are always facing each other.

We’re in a tucked-away room on the second floor of a princely Chelsea townhouse that I’m told was once owned by Lady Gaga. Tonight isn’t an official game night, per se; instead, it’s a launch party for the new web series those game nights inspired. The Next Move, which premieres today, takes the popular video interview series concept and introduces something a touch more personal. Where Subway Takes and Hot Ones occupy hallowed ground in the celebrity press tour, Questlove’s new series feels more like a hangout. The show’s slate of guests all come from within the already established game-night orbit, and thus audiences get a view into a more relaxed, convivial perspective on their favorite stars.

Keep ReadingShow less