Skip to content
Search

Michael Jackson Accusers Blocked From Getting Full Criminal Case File Going Back to 1993

Michael Jackson Accusers Blocked From Getting Full Criminal Case File Going Back to 1993

A judge sided with Michael Jackson’s estate Thursday and blocked an attempt by accusers Wade Robson and James Safechuck to obtain “the entirety of the criminal file” involving child molestation allegations leveled against the singer in two California counties since the early Nineties. Photographs of Jackson’s nude body and genitalia taken by Santa Barbara County sheriff deputies in connection with a 1993 criminal investigation were part of the rejected request.

“These requests for evidence relate to basic fairness, so we can all have the same evidence,” John Carpenter, the lawyer representing Robson and Safechuck, argued in a Beverly Hills courtroom shortly before the judge shut him down. “It can’t be disputed that this evidence is relevant. … We need these subpoenas not only to get the evidence but to establish foundation [for other alleged evidence].” In a related filing, Carpenter said the records might help identify new witnesses for his clients’ case.


Los Angeles County Superior Court Judge Michael E. Whitaker said Thursday that it wasn’t “lost” on him why Robson and Safechuck were seeking “this body of evidence” leading up to trial. “It goes without saying why you want this. But you’ve got procedural problems,” the judge said. After hearing from both sides, Judge Whitaker blocked the records requests for two reasons. First, he cited a 2018 ruling that quashed similar subpoenas in Robson’s case before it was consolidated with Safechuck’s earlier this year. Second, he said Robson and Safechuck failed to send the requisite warning notices to related parties informing them that their private, possibly highly sensitive personal information might be contained in the documents sought.  

Robson, 41, and Safechuck, 46, allege in their combined case that Jackson’s business entities, now controlled by his estate, should be held liable for their alleged abuse by the late singer when they were prepubescent minors. Robson, a choreographer and director, first sued the estate in May 2013 with allegations his abuse started in 1990 and lasted approximately seven years. Safechuck, a writer, actor, and director, first sued in May 2014 with claims his purported abuse occurred between 1988 and 1992.  

After their cases were consolidated in February, Robson and Safechuck sent their jointly served subpoenas to police and prosecutors in Los Angeles County and Santa Barbara County in March. The subpoenas requested everything in Jackson’s investigation files starting with the 1993 probe of allegations the singer sexually abused a 13-year-old boy at Neverland Ranch. (No criminal charges were filed over the 1993 allegation. Jackson reached a private settlement with the boy’s family.)

The March subpoenas were detailed, seeking evidence collected during searches of both Neverland Ranch and Jackson’s Hayvenhurst home in Los Angeles as well as the photographs of Jackson’s nude body and genitalia taken by the Santa Barbara County Sheriff’s Office (SBCSO) during a search warrant served on Dec. 20, 1993. Carpenter argued Thursday that Jackson’s estate already has all the files, so his clients deserve them too. One of the estate’s defense lawyers in the current case is Tom Mesereau, the lawyer who won Jackson’s 2005 acquittal on criminal molestation charges involving another boy in Santa Barbara County.

In their motion to quash the subpoenas granted Thursday, lawyers for Jackson’s estate argued that Robson’s prior attempt to serve such subpoenas on the Los Angeles County Police Department (LAPD), the Los Angeles County District Attorney’s Office (LACDA) and the Santa Barbara County District Attorney’s Office (SBCDA) was blocked by a different judge in a ruling on July 5, 2018. For his part, Carpenter questioned the value of that ruling since it came after Robson’s case was dismissed on a summary judgment ruling in December 2017. (Robson, like Safechuck, appealed his case dismissal, and both cases were revived in an appellate ruling last summer that sent the lawsuits back to Los Angeles County Superior Court for trial.)

On Thursday, Carpenter tried to argue that even though a judge shot down Robson’s subpoenas in 2018, Safechuck had never issued any subpoenas to the authorities in the two counties before this year. The judge said it didn’t matter since the cases had been consolidated. The judge added that the subpoenas issued in March were defective because they lacked the necessary third-party notice.

Speaking to Rolling Stone on Thursday night, Carpenter said he planned to try again.

“This is not a permanent ruling, in my opinion. I have to fashion a different subpoena on behalf of Mr. Safechuck and somehow give notice to the known [alleged] victims of Michael Jackson and the ones that I don’t know about, probably by way of publication,” Carpenter said. He agreed that any alleged victims and witnesses previously involved in the investigations deserved notification. “They have the right to come forward and make sure that their privacy and anonymity are protected in every way possible. I’m definitely in favor of that,” he said.

Lawyers for Jackson’s estate did not respond to an email seeking comment.

Judge Whitaker, meanwhile, ordered the parties back to court in October to discuss setting a trial date. He said considering the complexity of the case, he believes any trial would involve more than 100 hours of witness testimony, qualifying it for a special assignment to a different courtroom. He said if that’s the case, the parties likely would have to wait until at least the spring 2025 to face a jury. A lawyer for Jackson’s companies said last February that she didn’t believe the case would be ready for jurors until after December 2026. She said the trial likely would last more than 20 days with dozens of witnesses.

The case is a novel one. The August 2023 appellate ruling that revived the previously dismissed complaints from Robson and Safechuck found that companies can owe their own separate duty to protect victims even if they’re “solely owned” by an alleged perpetrator of abuse.

Jackson’s estate has denied any liability in the now consolidated lawsuit. In a 2019 interview with Rolling Stone, Jackson’s family members claimed Robson and Safechuck had made false claims for financial gain. “It’s about the money,” Marlon Jackson said at the time.

Robson and Safechuck both appeared in HBO’s two-part documentary, Leaving Neverland, where they detailed how Jackson, who died in 2009, allegedly groomed and sexually abused them for years while they were boys.

More Stories

Céline Dion Leaves Paris After 16-show Residency Run

NANTERRE, FRANCE - SEPTEMBER 12: Celine Dion performs on the opening night of her residency at Paris Plenitude Arena on September 12, 2026 in Nanterre, France. (Photo by Samir Hussein/WireImage)

Samir Hussein/WireImage

Céline Dion Leaves Paris After 16-show Residency Run

Céline Dion has left Paris for Las Vegas after completing the first leg of her long-awaited return to the stage, closing a six-week stay in the French capital that culminated in 16 concerts and an emotional farewell to fans outside her hotel.

The Québec singer departed the Royal Monceau on Monday morning, accompanied by her 15-year-old twin sons, Eddy and Nelson, and her small dog, Madison. According to Le Parisien, Dion left the luxury hotel at approximately 10:45 a.m., shortly after her luggage was transported away in a convoy of multiple vans and trucks. She then headed for Las Vegas, where she resides.

Keep ReadingShow less
Artists Behind Olivia Rodrigo ‘Expectations’ Music Video Debunk AI Accusations

Olivia Rodrigo performs during Daisy Chain Fields at The Great Park on Saturday, Aug. 29, 2026 in Irvine, CA

Kayla Bartkowski/Los Angeles Times/Getty Images

Artists Behind Olivia Rodrigo ‘Expectations’ Music Video Debunk AI Accusations

On Friday, Olivia Rodrigo unveiled a music video for the Chappell Roan-assisted remix of “Expectations,” though some viewers believed AI may have been involved in the video’s creative process. However, one of the art team’s designers and Rodrigo’s official fan account showed behind-the-scenes footage featuring hand-drawn 2D and 3D animations, analog treatments, and seemingly no AI involvement. (A rep for Rodrigo did not immediately respond to Rolling Stone’s request for comment.)

The AI accusations mainly sparked from a scene beginning around the three-minute mark of the video. In it, a series of retro logos and animations of Rodrigo and Roan fly through the frame. Viewers pointed to the inconsistencies on Rodrigo and Roan’s fingers as possible proof of generative-AI usage in the video.

Keep ReadingShow less
Drake Denies Stealing 'Janice STFU' Chorus
Drake on July 12, 2025 in London, England.
Simone Joyner/Getty Images

Drake Denies Stealing 'Janice STFU' Chorus

Drake is facing a copyright infringement lawsuit from Grammy-winning songwriter Aviel Calev Hirschfield, who alleges the rapper copied a chorus he recorded and sent to producers in Drake’s circle months before the release of “Janice STFU,” according to TMZ. The complaint was filed October 16 in California federal court and names the Toronto rapper, OVO Sound, UMG Recordings and Universal Music Publishing as defendants.

Hirschfield, who records as GoodbyeCalev, claims he completed his demo around January 25, 2026, and sent it to production duo FnZ and other producers connected to Drake. He says the chorus on “Janice STFU,” released in May on Iceman, matches his recording in lyrics, melody and cadence.

Keep ReadingShow less
Eminem Defends New Collaboration With ‘Old Friend’ Kid Rock: ‘Not About Choosing Sides’

Kid Rock and Eminem (Photo by KMazur/WireImage)

KMazur/WireImage

Eminem Defends New Collaboration With ‘Old Friend’ Kid Rock: ‘Not About Choosing Sides’

Eminem defended his guest verse on Kid Rock’s new faith-based album, saying their long friendship overshadowed their political divide.

Rock released his new LP Halfway 2 Jesus on Friday, with Slim Shady — a fellow Detroit native and longtime friend of the rocker — appearing on the track “Heal My Faith.”

Keep ReadingShow less
Inside Madonna’s ‘Confessions II’: Producer Stuart Price Goes Deep on One of the Year’s Best Albums

"I think the most notable thing is just how natural the continuation was," says producer Stuart Price

Ricardo Gomes*

Inside Madonna’s ‘Confessions II’: Producer Stuart Price Goes Deep on One of the Year’s Best Albums

Madonna was as ambitious as she’s ever been in the studio sessions for July 3’s Confessions II, which is saying a lot. For the sequel to 2005’s Confessions on a Dance Floor, she reunited with that album’s producer, Stuart Price, and crafted a relentless DJ set of an album that also includes some of her most emotionally bare songs: a duet with her daughter Lola (“The Test”) and wrenching songs about her late stepmother (“Betrayal”) and her late brother, Christopher Ciccone (“Fragile”). She brings her full pop firepower, too, on songs from the Sabrina Carpenter duet “Bring Your Love” to the Eighties reminiscence of “Danceteria.” It all helped win Madonna Artist of the Year at this year’s VMAs, where she opened the show with a guest-star-packed performance, her first on the awards show in 23 years.

Keep ReadingShow less