Skip to content
Search

Mariah Carey Beats Brother’s $20 Million Defamation Lawsuit Over Tell-All Memoir

A judge struck down the long-running lawsuit Monday

Mariah Carey Beats Brother’s $20 Million Defamation Lawsuit Over Tell-All Memoir

Mariah Carey and brother Morgan Carey in 1991.

WireImage

Mariah Carey has prevailed in a five-year legal battle with her brother, winning the dismissal of his remaining claims that she defamed him in her bestselling 2020 memoir, The Meaning of Mariah Carey.

In a ruling issued Monday and obtained by Rolling Stone, Justice Leslie A. Stroth of the New York State Supreme Court found that Morgan Carey failed to establish that his superstar sister acted with “actual malice” when making the statements he challenged.


Morgan claimed in his lawsuit that his sister had damaged his otherwise “excellent and spotless reputation” by portraying him as violent, accusing him of trafficking “powdered party favors” (a reference to cocaine), and describing him as having “behavioral problems” during childhood. He claimed Mariah had relied on their late mother as a source for some of the material and was more concerned with the memoir’s commercial success than with verifying the accuracy of her claims. He said his damages were “believed to exceed $20 million.”

But the judge found that Morgan could not establish actual malice simply by pointing to the deterioration of his relationship with his famous sibling. Under New York anti-SLAPP law, a plaintiff must show that a defendant made a false statement knowing it was false or with reckless disregard for the truth.

“Plaintiff has not sufficiently pleaded actual malice on the part of [Mariah],” Justice Stroth wrote. “Plaintiff fails to provide any proof that [Mariah] made such statements with knowledge of their falsity or with reckless disregard of their falsity or with reckless disregard for the truth. While plaintiff alleges that [Mariah] demonstrates ill will towards her brother, such statement is insufficient, and plaintiff has not satisfied the pleading requirement for actual malice.”

In a statement to Rolling Stone, Mariah’s lawyer, John Rosenberg, said that the singer “is gratified that the court recognized that her memoir addresses significant issues of public interest and dismissed her brother’s defamation claims in their entirety.”

Rosenberg said the Grammy-winning star “believes the importance of the court’s decision goes well beyond her own interests in this particular litigation, as it confirms that authors must be afforded broad protection when they speak out on matters of public concern.”

Morgan first filed his lawsuit on May 28, 2021. His attorney tells Rolling Stone the fight is not over. “We respectfully disagree with today’s decision as being completely inconsistent with prior rulings in the case,” lawyer Richard Altman said in an email. “We intend to appeal it very soon.”

More Stories

Artists Behind Olivia Rodrigo ‘Expectations’ Music Video Debunk AI Accusations

Olivia Rodrigo performs during Daisy Chain Fields at The Great Park on Saturday, Aug. 29, 2026 in Irvine, CA

Kayla Bartkowski/Los Angeles Times/Getty Images

Artists Behind Olivia Rodrigo ‘Expectations’ Music Video Debunk AI Accusations

On Friday, Olivia Rodrigo unveiled a music video for the Chappell Roan-assisted remix of “Expectations,” though some viewers believed AI may have been involved in the video’s creative process. However, one of the art team’s designers and Rodrigo’s official fan account showed behind-the-scenes footage featuring hand-drawn 2D and 3D animations, analog treatments, and seemingly no AI involvement. (A rep for Rodrigo did not immediately respond to Rolling Stone’s request for comment.)

The AI accusations mainly sparked from a scene beginning around the three-minute mark of the video. In it, a series of retro logos and animations of Rodrigo and Roan fly through the frame. Viewers pointed to the inconsistencies on Rodrigo and Roan’s fingers as possible proof of generative-AI usage in the video.

Keep ReadingShow less
Drake Denies Stealing 'Janice STFU' Chorus
Drake on July 12, 2025 in London, England.
Simone Joyner/Getty Images

Drake Denies Stealing 'Janice STFU' Chorus

Drake is facing a copyright infringement lawsuit from Grammy-winning songwriter Aviel Calev Hirschfield, who alleges the rapper copied a chorus he recorded and sent to producers in Drake’s circle months before the release of “Janice STFU,” according to TMZ. The complaint was filed October 16 in California federal court and names the Toronto rapper, OVO Sound, UMG Recordings and Universal Music Publishing as defendants.

Hirschfield, who records as GoodbyeCalev, claims he completed his demo around January 25, 2026, and sent it to production duo FnZ and other producers connected to Drake. He says the chorus on “Janice STFU,” released in May on Iceman, matches his recording in lyrics, melody and cadence.

Keep ReadingShow less
Eminem Defends New Collaboration With ‘Old Friend’ Kid Rock: ‘Not About Choosing Sides’

Kid Rock and Eminem (Photo by KMazur/WireImage)

KMazur/WireImage

Eminem Defends New Collaboration With ‘Old Friend’ Kid Rock: ‘Not About Choosing Sides’

Eminem defended his guest verse on Kid Rock’s new faith-based album, saying their long friendship overshadowed their political divide.

Rock released his new LP Halfway 2 Jesus on Friday, with Slim Shady — a fellow Detroit native and longtime friend of the rocker — appearing on the track “Heal My Faith.”

Keep ReadingShow less
Inside Madonna’s ‘Confessions II’: Producer Stuart Price Goes Deep on One of the Year’s Best Albums

"I think the most notable thing is just how natural the continuation was," says producer Stuart Price

Ricardo Gomes*

Inside Madonna’s ‘Confessions II’: Producer Stuart Price Goes Deep on One of the Year’s Best Albums

Madonna was as ambitious as she’s ever been in the studio sessions for July 3’s Confessions II, which is saying a lot. For the sequel to 2005’s Confessions on a Dance Floor, she reunited with that album’s producer, Stuart Price, and crafted a relentless DJ set of an album that also includes some of her most emotionally bare songs: a duet with her daughter Lola (“The Test”) and wrenching songs about her late stepmother (“Betrayal”) and her late brother, Christopher Ciccone (“Fragile”). She brings her full pop firepower, too, on songs from the Sabrina Carpenter duet “Bring Your Love” to the Eighties reminiscence of “Danceteria.” It all helped win Madonna Artist of the Year at this year’s VMAs, where she opened the show with a guest-star-packed performance, her first on the awards show in 23 years.

Keep ReadingShow less
Sophia Stel’s Pop Ambitions Are Stronger Than Her Nerves
Griffin Lotz

Sophia Stel’s Pop Ambitions Are Stronger Than Her Nerves

It’s a seasonally ambivalent day at Brooklyn’s Herbert Von King Park, and Vancouver-based singer and producer Sophia Stel is in need of a lighter. She’s smoking Canadian cigarettes, which, as I hand her a light blue Bic, she describes as “more polite,” taking after her fellow citizens’ pleasant disposition. She’s in town doing press ahead of her album release party this week. The record in question is called the greatest album of all time, and it feels like watching a shy kid blossom in front of a talent show crowd.

Stel first came onto the scene in 2024 with her debut EP, Object Permanence, though she says she’s made music since she was seven. For years, she psyched herself out of sharing what she was making. “It’s just so lame to be so afraid of what people think that you make all this music for years and never release it because you’re scared it’s not perfect or something,” she says. Releasing those first songs helped put the stakes in perspective: “If you drop a shitty EP, you’re going to be OK.”

Keep ReadingShow less