Skip to content
Search

‘It Was Horrific’: La Roux Backs Model Who Claims Kanye West Choked Her During Music Video

“I could never forget that,” La Roux messaged model Jennifer An about her claims against Kanye West, according to new court documents

‘It Was Horrific’: La Roux Backs Model Who Claims Kanye West Choked Her During Music Video

Kanye WestFrazer Harrison/Getty Images

A model who claimed Kanye West suddenly choked and pornographically gagged her with his fingers on a La Roux music video set has submitted new affidavits to corroborate her claims. They include alleged Instagram exchanges from La Roux, who remembered the choking incident vividly, writing, “I could never forget that, it was horrific,” according to court documents obtained by Rolling Stone.

Jennifer An, who was a finalist on America’s Next Top Model in 2009, sued West for sexual assault under New York City’s Gender Motivated Violence Protection Act in November 2024. What was supposed to be an exciting role as a background actress for a remix of La Roux’s song “In for the Kill” in September 2010, turned into a “humiliating and degrading” experience when West allegedly singled out An during the shoot. “Give me the Asian girl,” West reportedly ordered.


Going off-script with the camera rolling, West allegedly choked An with both his hands, smeared her makeup, and then “rammed several fingers down her throat, continuously moving them in and out,” effectively “emulat[ing] forced oral sex.” “This is art,” West yelled, according to the lawsuit. “This is fucking art. I am like Picasso.”

In January, West’s team filed a motion to dismiss An’s lawsuit on a variety of grounds, including the argument that because West’s conduct “occurred in the course of producing expressive” art, his actions should be shielded by free-speech protections.

An’s lawyers pushed back on that notion in a new filing on Tuesday and attached five exhibits that they say bolster An’s claims. “We disagree with [West’s] contention that the alleged sexual assault of Ms. An was protected artistic expression,” attorney Jesse S. Weinstein, who is a partner at Phillips & Associates and counsel at Arcé Law Group, tells Rolling Stone. “Our filing sets out substantial corroborating evidence supporting the allegations, including contemporaneous communications and witness testimony. We believe the record makes clear that the claims have a substantial basis in law and fact and should proceed so that the evidence can be fully examined in court.”

Rolling Stone has reached out to attorneys for West for comment.

The documents include screenshots of a lengthy exchange between An and La Roux’s verified Instagram account. (In the messages, La Roux — a.k.a. Elly Jackson — provides an email address associated with her full name.)

In the 2024 messages, An reaches out to the “Bulletproof” singer through the official La Roux account to ask whether the singer remembered the incident. Jackson confirms that she does, according to the court documents, writing: “I have never seen the footage (thankfully) and obviously I asked for it to never be used or for it to be seen as you were understandably very concerned about anyone or your family seeing it.”

“I’m so sorry it happened,” Jackson added, according to the lawsuit.

The court documents show additional messages where Jackson acknowledges that she previously publicly referred to the incident, but told An she felt that “it wasn’t my story to tell” and that West “already threatened me in some way.” Jackson added, per the documents, “He wanted to remind me of his power and status and threatened me with my career essentially. I’ve obviously continued to say how I feel about him regardless but I haven’t told your story out of respect for you.”

In 2020, Jackson said West caught wind of her commentary and demanded she write him an apology email, which she said she did ironically, with a “massive grin on my face.”

Reps for Jackson did not immediately respond to Rolling Stone‘s request for comment.Also included in the exhibits is a signed statement from Liz Martins, a makeup artist who was on set that day, which offers further corroboration. Martins wrote that she saw West “forcefully put his fingers down [An’s] mouth and told her to, ‘Suck on them.’”

“This sexual assault was not a part of the script,” Martins added. “Everyone on set was shocked and nervous to step in because of Kanye’s influence. Afterwards, [An] was crying and I heard her repeatedly say, ‘My mom is going to see this. I don’t want my mom to see this.’”

Michelle An — who is unrelated to the plaintiff, model Jennifer An — also submitted an affirmation. She said that from her vantage point on set, she did not directly see West place his fingers inside An’s mouth or around her neck. However, she recalled that West stood over the model and appeared to “move his thumb back and forth across the outside of [the] plaintiff’s mouth.”

Regarding the rest of An’s claims about West’s actions, Michelle An wrote that she was “not saying that it did not happen, only that, from where I was located on the set, I did not — and could not — see it happen.”

The rest of the exhibits contain reports from a third party private investigation firm who tracked down other crew members on the shoot, who both recalled West sticking his fingers down An’s mouth. West is currently in the middle of a trial for a separate civil lawsuit from a former worker at his $57 million Malibu mansion in Los Angeles. He also faces a second sexual assault lawsuit from his former assistant Lauren Pisciotta, who sued him in 2024. He denies her claims.

More Stories

Kacey Musgraves Is Going to the ‘Middle of Nowhere’ for Her Upcoming Arena Tour

Kacey Musgraves previewed her tour at a surprise Coachella appearance.

Scott Dudelson/Getty Images for Coachella

Kacey Musgraves Is Going to the ‘Middle of Nowhere’ for Her Upcoming Arena Tour

Kacey Musgraves will hit North American arenas this fall in support of her sixth studio album, Middle of Nowhere, out Friday (May 1). The tour opens on her birthday, Aug. 21, at the United Center in Chicago and runs through October, closing with two nights at Climate Pledge Arena in Seattle. Opening acts include Midland, Flatland Cavalry, Carter Faith, Estevie, Charles Wesley Godwin, William Beckmann, Gabriella Rose, and the Brudi Brothers.

Middle of Nowhere, which includes guest vocals from Willie Nelson, Billy Strings, and Miranda Lambert, takes its title from a sign in the East Texas town where Musgraves grew up: “Golden, TX: Somewhere in the Middle of Nowhere.” She debuted four songs from the new album during the second weekend of Coachella. The lead single, the twangy “Dry Spell,” arrived in March, followed by the equally rootsy title track in April.

Keep ReadingShow less
Chris Brown Battling To Exclude Rihanna Assault at Dog Bite Trial

Chris Brown in London on July 11, 2025.

Leon Neal/Getty Images

Chris Brown Battling To Exclude Rihanna Assault at Dog Bite Trial

Chris Brown is asking a Los Angeles judge to bar any mention of his 2009 felony assault of ex-girlfriend Rihanna at his upcoming dog-bite trial — but the housekeeper suing him says not so fast.

In a new filing obtained by Rolling Stone, the housekeeper argues Brown’s bid for a blanket ban is “overbroad, premature, and legally incorrect,” saying it tries to shut down potential evidence “without regard to purpose, context, or trial developments.”

Keep ReadingShow less
Inside Iron Maiden’s Honest, Emotional New Documentary

Iron Maiden circa 1982

Ross Halfin/Courtesy of Trafalgar Releasing

Inside Iron Maiden’s Honest, Emotional New Documentary

In the early Eighties, the world witnessed Iron Maiden on a Promethean quest for fire, driven on a soul level to deliver “Run to the Hills” and “The Trooper” to humanity. But within a few years, they were exhausted from constant touring with occasional bickering. A new documentary depicts how bad it got, with singer Bruce Dickinson pleading with manager Rod Smallwood for fewer tour dates, saying, “You can’t restring a voice.” Ultimately, Dickinson and guitarist Adrian Smith both quit for these reasons during the band’s golden years. (Both musicians returned in 1999 with refreshed appreciation, and they’ve remained since then.)

Keep ReadingShow less
Jimi Hendrix Bandmates’ Heirs Lose Royalties Fight Against Sony, Hendrix Estate

A judge ruled against a bid to secure royalties from Jimi Hendrix's catalog.

Christian Rose/Roger Viollet via Getty Images)

Jimi Hendrix Bandmates’ Heirs Lose Royalties Fight Against Sony, Hendrix Estate

A London-based judge has rejected copyright claims from the heirs of two former bandmates of Jimi Hendrix, ruling against their bid to secure royalties from the guitarist’s catalog in a long-running dispute with Sony Music and the Hendrix estate.

In a 140-page ruling obtained by Rolling Stone, British High Court Judge Edwin Johnson found that Jimi Hendrix Experience bassist David Noel Redding and drummer John “Mitch” Mitchell signed a recording agreement on Oct. 11, 1966, that forfeited their rights to future royalties. The agreement was between band members Hendrix, Redding, and Mitchell and two music producers, Michael Jeffery and Bryan “Chas” Chandler.

Keep ReadingShow less
How the Members of Broken Social Scene Found One Another Again
Courtesy of Broken Social Scene

How the Members of Broken Social Scene Found One Another Again

Broken Social Scene albums have always felt like massive impromptu gatherings of friends living in the moment and following one another’s lead — because that’s exactly what they are. Since 1999, the Canadian band has come together in different configurations, ranging from to six to almost 20 musicians at a time, more loose collective than formal music group. Along the way, it’s given us projects like the 2001 debut, Feel Good Lost, 2002’s You Forgot It in People, and 2005’s self-titled Broken Social Scene, each record packed with ambient, amoebic expressions that sound like rare time capsules decades later. Listen now, and they still brim with the kind of heart-bruising magic that seems impossible to replicate again.

Keep ReadingShow less