Flea stopped by The Tonight Show to perform his cover of Frank Ocean‘s “Thinkin Bout You” and to discuss his music career with host Jimmy Fallon.
The Red Hot Chili Peppers bassist took the stage alongside a live band and orchestra, and showcased the ambient instrumental song on both bass and trumpet. The jazz-inspired track comes off the musician’s debut solo effort, Honora, out March 27 and is a reimagining of Ocean’s 2012 hit from his album Channel Orange.
“When that record came out, it really blew me away,” Flea explained in a statement when he released the cover last month. “I listened to it ten million times. It was something I just couldn’t stop listening to. I loved it so much and still do. Just one of those real watershed moment records for me. ‘Thinkin Bout You’ is one of the many great songs on that record, and I thought it would be fun to play on trumpet.”
Flea sat down with Fallon to chat about the album, which came about in tribute to the musician’s love of jazz. After emerging on the late-night show’s stage in a handstand, Flea explained that he began playing the trumpet when he was “a little kid.”
“I was in love with it,” he said. “I wanted to be Dizzy Gillespie when I grew up. I met Dizzy Gillespie when I was a kid. He hugged me into his suit. I still remember the smell of his cologne, his nice suit, and his kindness with me. Trumpet was my first instrument.”
He recounted getting into the bass in high school and only revisiting the trumpet “every once in a while” after that. “It’s always alive in my head and my heart,” he noted. “A few years ago I decided I’m just going to play trumpet every day, no matter what, and after a couple of years of doing it I’m going to make a record and what comes, comes. It wasn’t really about a means to an end. It was just the process, the learning process. And I’m so happy that I had the opportunity to do it.”
Drake attends a game between the Houston Rockets and the Cleveland Cavaliers
Earl Sweatshirt Is Right: ‘Don’t Worry’ Is a Great Drake Song
Even the staunchest Drake hater can probably name at least one song that does it for them. For better or worse, Aubrey Graham has spent nearly two decades giving voice to the millennial subconscious more skillfully than any mainstream musician not named Taylor Swift, soundtracking the fears, insecurities, and romantic delusions of a generation raised on reality-TV melodrama and the first wave of social media’s main-character ethos. It should come as no surprise, then, that Earl Sweatshirt, underground rap’s poet laureate, has singled out the deep Iceman cut “Don’t Worry,” singing the song karaoke-style to close out his recent live sets. The track is the purest distillation of Drake’s appeal since the Take Care era, and a quiet reminder of why it’s hard to imagine him going away any time soon.
In the clips, which first started circulating around late May, during Earl’s Home on the Range Tour with MIKE on the heels of their Surf Gang-produced project Pompeii // Utility, it’s the song’s final turn that has Earl & Co. the most hyped up. “I just wanna see that boy beg on the pavement,” Drake coos, the type of revenge fantasy he’s built a career out of conjuring. Drake goes on. “I just wanna see that boy struggle with the phone bill,” he sings, getting specific. “The light bill/That’s how I feel.”
It’s PhD-level pettiness with a weirdly relatable spin. One must know the more treacherous depths of being broke to pinpoint the humiliation of struggling with the phone bill, and here Drake is wishing such luck onto anyone “trippin’ with the gang.” Whereas his entire catalog is fueled by this kind of anonymous sense of betrayal, it hits harder here. You can feel the sting of 2024’s rap beef in the glee with which Drake sings his imagined get-back, landing on an infectious melody all while basically giving a speech you’d expect from the Joker. “I might just get that boy hit for entertainment,” he sings.
This is classic Drake, turning the darker inner thoughts most people would be ashamed to admit into something almost beautiful. He is, in a way, rap’s Lena Dunham, finding art on the other side of cringe.
More recently, clips of Earl singing the song at the end of different tour stops — an ongoing bit at this point — went viral thanks to the never-ending stan wars between Kendrick and Drake fans. Some, unable to deny Earl’s bona fides as a rapper, assumed the whole thing must be an act of trolling, while others saw it as proof that Drake “won” the beef. The third option, of course, is that it’s a really good song, the type Drake is especially skilled at making.
At the height of the beef, like any millennial amidst a friend-group falling-out, Drake appeared to be rewatching The Sopranos, posting pictures from the show to his Instagram Stories. (Iceman’s hit single “Janice STFU” samples Tony Soprano uttering the infamous phrase to his sister, Janice.) “Don’t Worry” has the Machiavellian feeling of a classic mobster flick, a resolve for vengeance at any cost. A desire to see your enemies suffer. Across an entire album, it’s a mood that can feel heavy, but you’ve got to admit, when it hits, it hits. And that’s why Drake remains a fixture within not just hip-hop, but pop culture at large. He reconstructs embarrassingly human impulses as irresistible melodies. “Don’t Worry” might very well become the sleeper hit from Iceman, as clips from Earl’s concerts have already started to boost the song’s presence across feeds.
As he often does, Earl Sweatshirt simply speaks the truth.