Skip to content
Search

Stephen Curry Weighs in on Drake Feud With Kendrick Lamar: ‘I’m a Big Drake Guy’

Stephen Curry Weighs in on Drake Feud With Kendrick Lamar: ‘I’m a Big Drake Guy’

The feud between Kendrick Lamar and Drake may have waned recently, but people are still voicing their opinion on the ongoing rap beef. In a recent interview with GQ, NBA player Stephen Curry voiced his support for Drake, a long-time pal.

Lamar name-dropped Curry in his song “Meet The Grahams,” released in May, invoking the basketball star as he accused Drake of pedophilia. “Hey, Curry, keep the family away/ To anybody that embodies the love for the kids, keep the family away,” Lamar spit on the track. “They lookin’ at you too if you standin’ by him, keep the family away.”


Despite that, Curry is standing by Drake. When asked if he wanted to comment on the beef, Curry told GQ, “I’m a big Drake guy. I’ve been for a long time. I think obviously you know what it is for the rap industry to have that, but I still rock with Drake. Absolutely. Absolutely.”

The feud between Lamar and Drake has escalated since March. It has become so ubiquitous in pop culture that it was referenced on Jeopardy! and was transformed into a viral video game. The beef kicked off when Lamar took aim at Drake with his verse on Future and Metro Boomin’s “Like That” in March, also calling out J. Cole on the track. Cole responded to Lamar with a diss track of his own, but later apologized for it.

In April, Drake fired back with “Push Ups,” which hit at the Weekend, Rick Ross, and A$AP Rocky alongside Lamar. The feud has spiraled in the months since, playing out over numerous songs, including “Meet the Grahams,” which unfolds as a series of verses directed at Drake’s family members, culminating in a jarring accusation that Drake has an unclaimed 11-year-old daughter.

In the immediate aftermath, Drake only addressed the allegation that he has an unclaimed daughter, writing on Instagram, “Can someone find my hidden daughter and send her to me pls… these guys are in shambles.”

In May, Rolling Stone declared Lamar the winner of the feud, although things have continued to unfold in the month since, including one of Drake’s security guards being shot outside his Toronto home.

Last month, Childish Gambino weighed in on the rap beef, saying in an Instagram Live video, “This year the most fun we had was from a fight. [It] was a song from a fight, from a rap beef, which I enjoyed every minute of. It was very fun. But, still, kind of negative, in a certain light, I guess.”

More Stories

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’
Thea Traff

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’

If you talk to Florence Welch on any given day, it’s safe to assume she’s feeling a little anxious. “Anxiety is the constant hum of my life,” she says. “Then I step out onstage, and it goes away.”

Luckily, that’s where she is right now: draped in a long white dress, sitting comfortably in front of a 150-person audience at New York’s beautiful Cherry Lane Theatre, a storied downtown venue known as the birthplace of off-Broadway theater. It’s a week before the release of Everybody Scream, the excellent sixth album she made with her band, Florence + the Machine, and Welch is here for the first-ever live edition of the Rolling Stone Interview, the magazine’s long-running deep-dive conversation series. (The interview is also the first-ever video podcast version of the franchise — check it out on Rolling Stone’s YouTube channel and wherever you get your podcasts.)

Keep ReadingShow less
Prevost: the Québec company behind the biggest tours
Photo via Prevost

Prevost: the Québec company behind the biggest tours

If you’ve ever wandered backstage at a festival or through the private parking lot of an arena during a concert, you’ve probably noticed something: a long row of tour buses. And if you looked closely, you may have seen the same name on every single one: Prevost.

The story of these coaches, like that of nearly every tour bus in North America, doesn’t begin in Los Angeles but just outside Québec City.

Keep ReadingShow less
Rolling Stone Québec Future of Music 2025
Drowster

Rolling Stone Québec Future of Music 2025

Alexandra Stréliski

We could list a lot of impressive figures to showcase Alexandra Stréliski’s success: 600 million streams, 100,000 concert tickets sold, 10 Félix awards, 2 Polaris nominations, 1 Juno…

Drowster

Keep ReadingShow less
Dominique Fils-Aimé Follows Her Heart and Own Rules

Kaftan: Rick Owens/Jewelry: Personal Collection & So Stylé

Photos by SACHA COHEN, assisted by JEREMY BOBROW. Styling by LEBAN OSMANI, assisted by BINTA and BERNIE GRACIEUSE. Hair by VERLINE SIVERNÉ. Makeup by CLAUDINE JOURDAIN. Produced by MALIK HINDS and MARIE-LISE ROUSSEAU

Dominique Fils-Aimé Follows Her Heart and Own Rules

You know that little inner voice whispering in your ear to be cautious about this, or to give more weight to that? Dominique Fils-Aimé always listens to it — especially when people push her to go against her gut instinct. The jazz artist doesn’t care for conventions or received wisdom. She treats every seed life drops along her path as an opportunity to follow her instincts. To go her own way. To listen to her heart. And it pays off.

The Montreal singer-songwriter tends to question everything we take for granted. Case in point: applause between songs at her shows. Anyone who’s seen her live knows she asks audiences to wait until the end of the performance to clap, so as not to break the spell she creates each time.

Keep ReadingShow less
Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

Keep ReadingShow less