Skip to content
Search

Maggie Rose, Brent Cobb, Taylor Hunnicutt and Silverada Toast Country Music’s Original Outlaws

Maggie Rose, Brent Cobb, Taylor Hunnicutt and Silverada Toast Country Music’s Original Outlaws

Some of country music’s most exciting new voices took to the stage at the famous Nashville Palace honky-tonk for a celebration of Wanted! The Outlaws, the first country music album to ever go Platinum. Presented by Tennessee’s own George Dickel Whisky, the rocking evening paid tribute not only to the history-making 1976 record and other Outlaw Country classics, but also celebrated the 10th anniversary of Rolling Stone Country. 

Rolling Stone publisher and EVP Brian Szejka and RSC Senior Editor Joseph Hudak welcomed the crowd with Dickel in hand, toasting RSC’s decade of music coverage and readying attendees for a night of outstanding outlaw country music. 


Silverada (formerly Mike and the Moonpies) backed each of the acts during their performances, but also put their own Texas-tinged spin on Waylon Jennings’ “Honky Tonk Heroes” and “Think I’ll Just Stay Here and Drink” by Merle Haggard.

Alabama native Taylor Hunnicutt lent her raspy vocals to “Good Hearted Woman” by Willie Nelson and Jennings and Johnny Paycheck’s “Can’t Quit Drinking.” 

Grammy-nominated Brent Cobb brought his Georgia boy swagger to two Willie favorites: “Me and Paul” and “Yesterday’s Wine,” before welcoming songbird Maggie Rose to the stage for a bring-the-house-down performance of “Suspicious Minds,” Wanted! The Outlaws’ iconic duet between Jennings and Jessi Colter. 

Rose then took center stage for a solo performance of Jennings’ “Ain’t Living Long Like This.” Her powerful vocals stopped a maximum capacity-room full of guests in their tracks. 

And just when music (and Dickel whisky) lovers thought it couldn’t get any better, the entire group took the stage for a singalong version of Willie’s “On the Road Again.” The rousing performance had everyone swaying and singing along, with Dickel cocktails raised high.

The night’s signature cocktails did what Outlaw Country and George Dickel do best by blending tradition with out-of-the-box style. Drinks like Suspicious Minds (George Dickel Rye, ginger beer and peach bitters); Old Fashion Roots (George Dickel Bourbon, root beer reduction, sassafras bitters and Angostora); and the Outlaw Old Fashioned (George Dickel Bourbon, simple syrup, orange bitters and Angostora) combined the rich flavor of Dickel Whisky with some surprising complementary flavors, while the traditional Loveable Losers offered purists a shot of George Dickel Bourbon or Rye and an ice-cold beer. 

From Outlaw Country to creative cocktails, it was a night to celebrate history-making music and industry-changing whisky. 

More Stories

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’
Thea Traff

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’

If you talk to Florence Welch on any given day, it’s safe to assume she’s feeling a little anxious. “Anxiety is the constant hum of my life,” she says. “Then I step out onstage, and it goes away.”

Luckily, that’s where she is right now: draped in a long white dress, sitting comfortably in front of a 150-person audience at New York’s beautiful Cherry Lane Theatre, a storied downtown venue known as the birthplace of off-Broadway theater. It’s a week before the release of Everybody Scream, the excellent sixth album she made with her band, Florence + the Machine, and Welch is here for the first-ever live edition of the Rolling Stone Interview, the magazine’s long-running deep-dive conversation series. (The interview is also the first-ever video podcast version of the franchise — check it out on Rolling Stone’s YouTube channel and wherever you get your podcasts.)

Keep ReadingShow less
Prevost: the Québec company behind the biggest tours
Photo via Prevost

Prevost: the Québec company behind the biggest tours

If you’ve ever wandered backstage at a festival or through the private parking lot of an arena during a concert, you’ve probably noticed something: a long row of tour buses. And if you looked closely, you may have seen the same name on every single one: Prevost.

The story of these coaches, like that of nearly every tour bus in North America, doesn’t begin in Los Angeles but just outside Québec City.

Keep ReadingShow less
Rolling Stone Québec Future of Music 2025
Drowster

Rolling Stone Québec Future of Music 2025

Alexandra Stréliski

We could list a lot of impressive figures to showcase Alexandra Stréliski’s success: 600 million streams, 100,000 concert tickets sold, 10 Félix awards, 2 Polaris nominations, 1 Juno…

Drowster

Keep ReadingShow less
Dominique Fils-Aimé Follows Her Heart and Own Rules

Kaftan: Rick Owens/Jewelry: Personal Collection & So Stylé

Photos by SACHA COHEN, assisted by JEREMY BOBROW. Styling by LEBAN OSMANI, assisted by BINTA and BERNIE GRACIEUSE. Hair by VERLINE SIVERNÉ. Makeup by CLAUDINE JOURDAIN. Produced by MALIK HINDS and MARIE-LISE ROUSSEAU

Dominique Fils-Aimé Follows Her Heart and Own Rules

You know that little inner voice whispering in your ear to be cautious about this, or to give more weight to that? Dominique Fils-Aimé always listens to it — especially when people push her to go against her gut instinct. The jazz artist doesn’t care for conventions or received wisdom. She treats every seed life drops along her path as an opportunity to follow her instincts. To go her own way. To listen to her heart. And it pays off.

The Montreal singer-songwriter tends to question everything we take for granted. Case in point: applause between songs at her shows. Anyone who’s seen her live knows she asks audiences to wait until the end of the performance to clap, so as not to break the spell she creates each time.

Keep ReadingShow less
Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

Keep ReadingShow less