Skip to content
Search

John Legend Got Sufjan Stevens to Produce His New Children’s Album

John Legend Got Sufjan Stevens to Produce His New Children’s Album

John Legend has a children’s album on the way, and the singer has revealed the unlikely collaborator he enlisted to produce it: Sufjan Stevens.

My Favorite Dream, out Aug. 30, also features appearances by Legend’s wife Chrissy Teigen and their two children Luna and Miles. All three contribute to the album’s first single “L-O-V-E.”


In an interview with the Associated Press, Legend spoke about recruiting Stevens for the project and what he brought to My Favorite Dream.

“He’s singing a lot of backup, and he’s such a genius. I have been a fan of his for like 20 years. When I was writing these songs, my first thought of who I wanted to produce this was Sufjan, because I love how dreamy he can make music, and how whimsical, and how much character he has to everything that he makes,” Legend said. “And I just felt like it would be the perfect energy for a children’s album: To blend my songwriting with his production and arranging and playing. You just hear his influence all over the album and I love it.”

Legend added of Stevens, “I was so happy he said yes because you never know if someone’s gonna want to make a children’s album with you, and we had never worked together. We had never even met before we started working on this.”

My Favorite Dream features nine original tracks and two covers — Bob Marley’s “Three Little Birds” and the standard “You Are My Sunshine.” There are also three bonus tracks that are covers of Fisher-Price songs.

“I want them to feel the love that I put into it, and I want them to be able to translate that love to their own families and loved ones,” Legend said of the album. “I think the messages of the album are ones that we like to share with our kids, and I have a feeling that a lot of parents are going to want to share them with their kids too, and that’ll make me happy if they’re able to do that.”

More Stories

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’
Thea Traff

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’

If you talk to Florence Welch on any given day, it’s safe to assume she’s feeling a little anxious. “Anxiety is the constant hum of my life,” she says. “Then I step out onstage, and it goes away.”

Luckily, that’s where she is right now: draped in a long white dress, sitting comfortably in front of a 150-person audience at New York’s beautiful Cherry Lane Theatre, a storied downtown venue known as the birthplace of off-Broadway theater. It’s a week before the release of Everybody Scream, the excellent sixth album she made with her band, Florence + the Machine, and Welch is here for the first-ever live edition of the Rolling Stone Interview, the magazine’s long-running deep-dive conversation series. (The interview is also the first-ever video podcast version of the franchise — check it out on Rolling Stone’s YouTube channel and wherever you get your podcasts.)

Keep ReadingShow less
Prevost: the Québec company behind the biggest tours
Photo via Prevost

Prevost: the Québec company behind the biggest tours

If you’ve ever wandered backstage at a festival or through the private parking lot of an arena during a concert, you’ve probably noticed something: a long row of tour buses. And if you looked closely, you may have seen the same name on every single one: Prevost.

The story of these coaches, like that of nearly every tour bus in North America, doesn’t begin in Los Angeles but just outside Québec City.

Keep ReadingShow less
Rolling Stone Québec Future of Music 2025
Drowster

Rolling Stone Québec Future of Music 2025

Alexandra Stréliski

We could list a lot of impressive figures to showcase Alexandra Stréliski’s success: 600 million streams, 100,000 concert tickets sold, 10 Félix awards, 2 Polaris nominations, 1 Juno…

Drowster

Keep ReadingShow less
Dominique Fils-Aimé Follows Her Heart and Own Rules

Kaftan: Rick Owens/Jewelry: Personal Collection & So Stylé

Photos by SACHA COHEN, assisted by JEREMY BOBROW. Styling by LEBAN OSMANI, assisted by BINTA and BERNIE GRACIEUSE. Hair by VERLINE SIVERNÉ. Makeup by CLAUDINE JOURDAIN. Produced by MALIK HINDS and MARIE-LISE ROUSSEAU

Dominique Fils-Aimé Follows Her Heart and Own Rules

You know that little inner voice whispering in your ear to be cautious about this, or to give more weight to that? Dominique Fils-Aimé always listens to it — especially when people push her to go against her gut instinct. The jazz artist doesn’t care for conventions or received wisdom. She treats every seed life drops along her path as an opportunity to follow her instincts. To go her own way. To listen to her heart. And it pays off.

The Montreal singer-songwriter tends to question everything we take for granted. Case in point: applause between songs at her shows. Anyone who’s seen her live knows she asks audiences to wait until the end of the performance to clap, so as not to break the spell she creates each time.

Keep ReadingShow less
Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

Keep ReadingShow less