Skip to content
Search

Jason Derulo Trial Begins: Producer Claims Singer Cut Him Out of ‘Savage Love’ Credit

Jurors heard opening statements at a trial pitting Derulo against a guitarist-producer who claims he wrote the “critical pre-hook section” of the chart-topping song

Jason Derulo Trial Begins: Producer Claims Singer Cut Him Out of ‘Savage Love’ Credit

Jason Derulo on April 20, 2026 in Los Angeles, California.

Michael Buckner/Variety/Getty Images

Jason Derulo appeared in a Los Angeles federal courtroom Wednesday as jurors watched a 2024 deposition video of the pop star singing a snippet of his hit track “Savage Love” seated against a drab office wall — a setting far removed from the flash and polish of his live performances

In the video, Derulo faced pointed questioning from a lawyer representing Matthew Spatola, the Grammy-winning guitarist and producer now suing him for writing credit and royalties. The lawyer, heard but not seen, asked Derulo to demonstrate how he allegedly dictated the guitar and bass parts for “Savage Love” by singing them to Spatola during two sessions at his home studio in April 2020, in the early weeks of the pandemic lockdowns.


“I can sing whatever you’d like,” Derulo said gamely in the deposition video, smiling broadly while dressed in a white shirt with a disco collar opened low to show his glittering chain. He then sang a series of simple, monosyllabic vocal sounds, tapping lightly to keep time. Jurors watched impassively on the first day of what’s expected to be a two-week trial.

“He claimed to sing the guitar parts to Mr. Spatola. He claimed to sing the bassline he wanted him to play. But a big part of the problem for Mr. Derulo is that you cannot sing a guitar chord. The guitar has six strings, and a voice can only sing one note at a time,” Spatola’s lawyer, Thomas Werge, told the panel of four women and five men in his opening statement, teeing up the video.

Werge told jurors that his client wrote what he described as the “critical pre-hook section” that precedes the song’s chorus and, in his view, transforms the underlying beat created by the New Zealand artist Jawsh 685. The beat, titled “Laxed,” went viral on TikTok in early 2020 and serves as the foundation of the track. The lawyer said Spatola also wrote the “instrumental bed” for Derulo’s version of the song during the two sessions at Derulo’s home studio. Spatola accepted payment of $2,000 but “never signed anything” giving up his rights to composition credit or publishing royalties, the lawyer told jurors.

In his dueling opening statement, Derulo’s lawyer Joshua Rosenberg said his client was “captivated” by Jawsh 685’s “Laxed” beat in early 2020 and worked tirelessly on his version of the song over 60 hours spread across 10 marathon sessions with his longtime engineer and regular writing partners. Rosenberg said Spatola was brought in for only six of those hours as a session guitarist, not a writer.

“Mr. Derulo gave Mr. Spatola a very simple assignment: Listen to the pre-existing music that Jawsh 685 composed on a synthesizer and play it on guitar. If there were any modifications, Jason Derulo sang them first. He told Matthew Spatola what he wanted him to play,” Rosenberg told the jury. He said Spatola “was paid for services rendered.”

The lawyer said that after legal negotiations, Jawsh 685, whose legal name is Joshua Christian Nanai, was credited as the sole producer of Jason Derulo’s song, formally titled “Savage Love (Laxed – Siren Beat).” Jurors heard that the composition’s publishing ownership was then divided so that Nanai received 50 percent, Derulo 25 percent, Derulo’s longtime co-lyricist Jacob Kasher Hindlin, known as JKash, 20 percent, and Paul Greiss, an instrumentalist and mix engineer, five percent.

Rosenberg told jurors Nanai was the “heartbeat” of the song and suggested Spatola was unfairly trying to take away from that. “The producer is the primary creator of the beat, the melody, the harmony, and the structure. Jawsh did all that, in his bedroom, on the other side of the world. And no one helped. No one should take a producer credit away from Jawsh 685 or dilute it with a co-producer credit,” the lawyer said.

“Playing music is very different than creating,” the lawyer continued. “[Spatola’s] contributions were commonplace, insubstantial, and buried in the background. Look, this is Hollywood. Everyone wants credit for a hit. The plaintiff, Mr. Spatola, does not deserve it.”

For his part, Spatola’s lawyer quoted several lines from Derulo’s 2023 book, Sing Your Name Out Loud, in which the musician admits he self-released his version of “Savage Love” on social media even before he had a signed deal with Nanai. Werge suggested it was a “pattern” with Derulo, where the singer was willing to “take advantage of a young artist,” meaning Nanai, to further his career.

“I was proud of the song and hated the idea of shelving it,” Derulo wrote in the book, describing how Nanai stopped returning his calls after Sony signed Nanai as an artist on its Columbia Records Label on April 27, 2020. Derulo wrote that his manager advised him not to post his version of the song, but he did it anyway, and Sony quickly sent a barrage of cease-and-desist letters.

“Columbia went crazy trying to get it taken down,” Derulo wrote in one passage read aloud to jurors. “But at that point, ‘Savage Love’ was everywhere. There was no stopping the monster, and I couldn’t have taken it down if I’d tried. I’ll be real with you, though: I didn’t try.”

Werge told the jury the evidence will show that “Jason Derulo thought he was successful and powerful enough that he could get away with simply taking [Spatola’s] work for his own without saying anything.” He said Derulo “is going to make excuses as to why he failed to acknowledge” Spatola’s alleged contributions. “This is why you are here: to make sure Matthew Spatola does not get a raw deal,” he said.

After the opening statements, Spatola was called as the first witness. He told jurors he started playing guitar as a four-year-old boy living on Long Island. He recalled moving to California after seeing an advertisement for a music school in the pages of Rolling Stone.

Spatola said he’s played on stage with lots of famous musicians, including T.I., Future, The Weeknd, Jessie J, and Kehlani, but he decided to move away from live performance into more production work so he could settle down and start a family, he testified. His production credits include the songs “Thug Love” and “Till The Wheels Fall Off” for A Boogie Wit Da Hoodie.

Derulo is expected to take the witness stand later in the trial. The artist declined to speak with Rolling Stone after the first day of testimony.

Spatola first sued Derulo and Sony in 2023, asking for a declaratory judgment finding that he was a co-author of Savage Love (Laxed – Siren Beat) and is due a share of the credit and royalties. Savage Love was commercially released on June 11, 2020, debuted at 81 on the Billboard Hot 100, and climbed into the Top 10 two months later. It reached the top spot of the Billboard Hot 100 on October 17, 2020, after a boost from the release of a remix version by the wildly popular South Korean band BTS.

If the jury ultimately sides with Spatola, the court will determine any profits owed to the guitarist during a second trial, the judge previously ruled.

More Stories

Jello Biafra’s Recovery Is ‘Progressing Nicely’ After Stroke

Jello Biafra performing in 2017.

Scott Dudelson/Getty Images

Jello Biafra’s Recovery Is ‘Progressing Nicely’ After Stroke

Jello Biafra, former frontman of punk legends the Dead Kennedys, has recovered most of his speech and cognition after suffering a stroke earlier this year.

A statement shared on the musician’s Facebook page over the weekend noted that Biafra “is progressing nicely,” adding, “His speech has mostly come back in full, and cognitively, it’s like the stroke never happened. The left side is still weak but it is doing much better than it was.”

Keep ReadingShow less
8 Things We Learned at the Rolling Stones Album Release Party With Conan O’Brien

Mick Jagger, Keith Richards and Ronnie Wood celebrate their new album 'Foreign Tongues' on May 5, 2026 in Brooklyn, NY.

Kevin Mazur

8 Things We Learned at the Rolling Stones Album Release Party With Conan O’Brien

Just about four hours after the Rolling Stones announced their new LP Foreign Tongues and unveiled leadoff single “In the Stars,” Conan O’Brien walked onstage at the Weylin in Williamsburg, Brooklyn, and addressed a packed crowd that included Leonardo DiCaprio, Christie Brinkley, Andrew Watt, Odessa A’zion, and just about every single music journalist in New York City.

“Let me set the stage for you,” he said. “In 1962, a bunch of young men got together in London. They played small clubs, but dreamed of bigger things. Then they played slightly larger clubs, hoping that one day they’d reach the big time. Sadly, that day never came. They never quite made it. I think this album is going to change things. I think this album is the one. After years of toiling and obscurity, opening for other bands like Oingo Boingo, Bananarama, Frankie Goes to Hollywood, this is their time.”

Keep ReadingShow less
Bebe Rexha Celebrates Topping Two Dance Charts After Going Independent

Bebe Rexha at the 2026 Billboard Women in Music event in Hollywood.

VALERIE MACON/AFP/Getty Images

Bebe Rexha Celebrates Topping Two Dance Charts After Going Independent

Bebe Rexha is celebrating a new Number One song on the Billboard dance charts, an achievement that’s especially meaningful after going independent earlier this year.

On Instagram Tuesday, May 5, Rexha announced that her single, “New Religion,” had topped the Billboard Dance/Airplay and U.S. Dance Radio charts. “First I wanna say to the fans this isn’t just my win. This is our win,” she wrote.

Keep ReadingShow less
The Offspring’s ‘White Guy’ Video Star, Now a Political Livestreamer, Is Still Pretty Fly

"Pretty Fly (For a White Guy)" video star Guy Cohen performs with the Offspring at BeachLife Festival

JP Cordero/BeachLife Festival

The Offspring’s ‘White Guy’ Video Star, Now a Political Livestreamer, Is Still Pretty Fly

Back in 1998, before social media and smartphones, MTV music videos remained a hugely influential cultural reflector for young folks, promoting imagery and sounds as dynamic as they were diverse. Boy bands were bigger than ever, Will Smith was getting jiggy with it, and Green Day were having the time of their life. Meanwhile, another California band with punk roots, the Offspring, were building their own fervent fanbase by turning catchy, bratty ditties into high-production clips that nobody ever flipped past on the remote.

Their biggest hit and most iconic video is arguably the McG-directed “Pretty Fly (For a White Guy),” which skewered uncool dudes who “fake it anyway” by copping hip-hop style, donning backwards baseball caps, oversized jerseys, and gold chains.

Keep ReadingShow less