Skip to content
Search

Bad Bunny Promises ‘The World Will Dance’ at His Super Bowl Performance

Artist releases a new trailer that offers a preview of his anticipated halftime show

Bad Bunny Promises ‘The World Will Dance’ at His Super Bowl Performance
Kevin Mazur/Getty Images

Everyone on the planet may smell like stale Budweiser and crumbled Fritos while watching the Super Bowl, but Bad Bunny doesn’t care. In a new trailer for his halftime show performance, he’s making a promise: “The world will dance.”

The clip shows the artist wandering through a surrealistic neon landscape (it’s Puerto Rico, note the Flamboyant tree), until he pulls up his own song using Apple Music on his iPhone (ibid) to play “Baille Inovidable.” The cover art for the single is just a couple of lawn chairs with nobody in them in a similarly colorful landscape, but that’s neither here nor there because in this world, the world in which everybody will dance, dancers spin like tops out of the darkness one by one to shake Bad Bunny from his stoicism as soon as he cranks his own song on Apple Music. Soon, he’s dancing (and smiling), too.


The dancers are women and men. They’re old and young. One father even holds his child while dancing with Mr. Bunny. Most notably, the dancers are racially diverse. The decision to make a video like this is clearly a subtle rebuke of the Trump administration, which has threatened to send ICE agents to the Levi’s Stadium in Santa Clara, California, where the Super Bowl will take place. The message of Bad Bunny’s Super Bowl performance is unity (the message of Bad Bunny in general, really) and it begins with this trailer.

Last year, Bad Bunny, who released the album of the year, revealed he’d skipped touring the United States over worries related to how the Trump administration had treated Latinos. “There was the issue of — like, fucking ICE could be outside [my concert],” he said. “And it’s something that we were talking about and very concerned about.”

Everyone has always been welcome at Bad Bunny’s concerts, but now that he’s playing the United States’ biggest concert, he’s driving that message home with this trailer.

More Stories

Shaboozey Thinks Big on ‘The Outlaw Cherie Lee & Other Western Tales’
Hunter Moreno*

Shaboozey Thinks Big on ‘The Outlaw Cherie Lee & Other Western Tales’

On his third album, 2024’s Where I’ve Been, Isn’t Where I’m Going, and its monster hit, “A Bar Song (Tipsy),” Shaboozey is a cowboy for our times. The Virginia-raised Nigerian American artist is blessed with a cavernous baritone and a sense of music history where rap and country converse as equally elastic genres and equally deep traditions. It’s no surprise to hear him thinking big with his ambitious new concept album, The Outlaw Cherie Lee & Other Western Tales. According to Shaboozey, the LP tells the story of a sheriff’s daughter who sees her daddy gunned down, takes to the trail seeking vengeance, and ends up falling for one of the killers — a romance tucked inside an outlaw epic, right on par for a guy who does well with genre mashups.

Keep ReadingShow less
There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It
katia temkin*

There’s No Ariana Grande Like Pissed-Off Ariana Grande. Her New Album Proves It

Ariana Grande is always at her best when she’s in a mood, and on Petal, she’s not holding back at all. “A little feral,” she calls this album, explaining, “I wrote from a place that I don’t usually, which was like an unfiltered rage.” She isn’t kidding. The catchiest pop tune here, “Oh Well,” is the one where she sings, “Good luck on your way to hell,” before dropping the killer punch line, “Don’t worry, ’cause you’ll keep getting breakup songs about you.”

That rage is all over Petal. But it suits her musically, because Ariana is always best — most herself — when she goes off the dome, talking her shit in DGAF mode. Even the album cover is part of her statement, wearing her hair down and loose — Ariana abandoning her ponytail is as iconic as George Michael setting fire to his leather jacket. For some of us, there’s no Ariana like Pissed-Off Ariana.

Keep ReadingShow less
Travis Scott Directs Visual for ‘Odyssey’ Song ‘When I’m Home’

Travis Scott Directs Visual for ‘Odyssey’ Song ‘When I’m Home’

Amid the buzz surrounding The Odyssey, Travis Scott has released the visuals for “When I’m Home,” the film’s end-credit track. Created in collaboration with James Blake and Ludwig Goransson, the song was released on July 17, and now the accompanying music video has arrived.

Earlier this month on The Tonight Show, Scott revealed that he stepped behind the camera for the project. “I actually directed the video, which I’m so proud of,” he shared. This isn’t Scott’s first time directing; he previously helmed Circus Maximus, the companion short film to his 2023 album Utopia.

Keep ReadingShow less
Cardi B Disses Trump on Revved Up New Single ‘Ah Ha’

Cardi B

Pierre Suu/Getty Images

Cardi B Disses Trump on Revved Up New Single ‘Ah Ha’

Cardi B dropped a new single, “Ah Ha.” The track, her first new music since 2025 LP Am I The Drama?, was produced by DJ SwanQo, and sees the rapper taking aim at her haters and taking swipes at the president.

“I’ll give a ho exactly what she want in this bitch/ Black trucks at the club, look like Trump in this bitch, fuck him,” she spits. “A ho never played with me once in this bitch, huh?”

Keep ReadingShow less
Boy George Drops Out of ‘Jesus Christ Superstar’ After Pro-Israel Song Release

Boy George has withdrawn from the 'Jesus Christ Superstar revival' on London's West End.

Jed Cullen/Dave Benett/Getty Images for Lightroom

Boy George Drops Out of ‘Jesus Christ Superstar’ After Pro-Israel Song Release

Days after the release of Boy George‘s controversial pro-Israel song, “We Will Dance Again,” the singer has withdrawn from the Jesus Christ Superstar revival on London’s West End.

The singer’s manager Paul Kemsley announced the news on social media Thursday. “After careful consideration, I have decided, in my capacity as Boy George’s manager, that he will no longer be appearing in Jesus Christ Superstar at the London Palladium,” Kemsley wrote, adding that the decision was “made with the utmost respect for the producers, the creative team and the entire company.”

Keep ReadingShow less