Skip to content
Search

Post Malone Smashes Beer Can on His Head, Closes Out Stagecoach With Help From Shaboozey

Malone also invited guests Jake Worthington and Braxton Keith onstage and teased something more coming with Shaboozey

Post Malone Smashes Beer Can on His Head, Closes Out Stagecoach With Help From Shaboozey

INDIO, CALIFORNIA - APRIL 26: (FOR EDITORIAL USE ONLY) (NOT TO BE LICENSED FOR ANY STANDALONE OR SPECIAL INTEREST BOOK PUBLISHING USE CONCERNING THE COACHELLA MUSIC FESTIVAL AND/OR STAGECOACH MUSIC FESTIVAL) (L-R) Post Malone and Shaboozey perform at the T-Mobile Mane Stage during the 2026 Stagecoach Festival at Empire Polo Club on April 26, 2026 in Indio, California. (Photo by John Shearer/Getty Images for Stagecoach)

Getty Images for Stagecoach

Post Malone opened his headlining set with the roar of a motor before launching into a rendition of Craig Morgan’s “International Harvester.” After taking the stage with the rural anthem, Malone, decked out in head-to-toe denim, set the tone by asking the thousands gathered at the windy polo fields, “Who’s fucking thirsty this evening, ladies and gentlemen?”

The star, who made his country debut at the California fest in 2024, proceeded to play a medley of his hits and covers that had the crowd grooving. Malone delivered some of his massive pop tracks, including “White Iverson,” “Circles” (his “favorite shape”) and “Sunflower,” and also used the opportunity to showcase his Nashville-style pivot and love for nostalgic country classics.


Of course, Malone delivered “What Don’t Belong to Me” and “Wrong Ones” from his first country album F-1 Trillion, and its chart-topping track, “I Had Some Help,” which saw Shaboozey pop out for a quick cameo to join in for the chorus. The singer weaved in plenty of country covers, too: George Strait’s “Give It Away”; “I Swear” by John Michael Montgomery; and Garth Brooks’ “Rodeo.” At one point, he turned the lights down low and turned up the pyro for “Rockstar,” dropping to his hands for a set of pushups at the end.

While many in the crowd were hoping for Morgan Wallen to make an appearance, Malone brought out a pair of country traditionalists in Jake Worthington and Braxton Keith as his guests of the night. Worthington sang Strait’s “Give It Away”; Keith played his own song, “Cozy.” There was even some good old-fashioned product placement of Malone’s Posty-branded Bud Light cans, which he enthusiastically crushed against his head.

The singer wrapped his set with another patriotic number, closing with a cover of Toby Keith’s “Courtesy of the Red, White and Blue (The Angry American).”

Malone, who broke through with his rap debut track, “White Iverson,” in 2015, hinted at a country fandom throughout the beginning of his career, covering classic country songs and mainstream hits. Among them: Brad Paisley’s “I’m Gonna Miss Her (The Fishin’ Song),” Hank Williams’ “There’s a Tear in My Beer,” and Sturgill Simpson’s “You Can Have the Crown.” He also recorded a rendition of Hootie & the Blowfish’s country-adjacent “Only Wanna Be With You” for a Pokémon tribute (the band also performed at this year’s fest) and joined Billy Strings onstage to deliver a cover of Johnny Cash’s “Cocaine Blues” in 2022.

In 2024, “I Had Some Help,” his hit collab with Wallen, spent five straight weeks atop the Billboard Hot 100 (finally unseated by Sabrina Carpenter’s “Please Please Please”) and became the fastest song to reach Number One on the Country Airplay chart since Garth Brooks’ 2007 song “More Than a Memory.” Malone followed “I Had Some Help” with another blockbuster collab — “Pour Me a Drink” with Blake Shelton — and both songs featured on Malone’s sixth album, F-1 Trillion, his third LP to top the Billboard 200.

Before hitting the halfway mark of 2024, he joined Beyoncé on “Levii’s Jeans,” off her Grammy-winning country album, Cowboy Carter, and appeared at Beyoncé’s historic NFL Christmas halftime show for a live debut of the single.

He made his headlining debut at 2025 Coachella, performing his biggest hits throughout his career so far and bringing out country star Jelly Roll and Ed Sheeran for weekend two. That same month, Malone kicked off the aptly titled “Big Ass Stadium Tour” in Salt Lake City, Utah, and wrapped the cross-country trek in San Francisco back in July. Part 2 of the trek kicked off in Fort Lauderdale on April 10 and will wrap in Austin this October.

More Stories

Jay-Z Drops First New Verse in Years on Beyoncé’s New ‘Morning Dew (Donk)’ Remix

JAŸ-Z30 JAY-Z at Yankee Stadium

SACHA LECCA for Rolling Stone

Jay-Z Drops First New Verse in Years on Beyoncé’s New ‘Morning Dew (Donk)’ Remix

Late in the night, Beyoncé dropped an extended remix pack for “Morning Dew (Donk),” the archival release she shared last month that dates back to the Beyoncé album era. The four-track release builds on the base of the R&B track with a featured appearance from Jay-Z and new production elements that draw on releases from Soulja Boy, the Isley Brothers, and Sheck Wes.

“Bitch so bad, I had to give her my last name/Up for the cash, came diamond in the tatted rings/If you ain’t ridin’ for the gang, shut the fuck up,” Jay-Z raps on his added verse. Sheck Wes’ 2018 hit “Mo Bamba” provides an overlay on the new bridge as Jay-Z uses his first new rap verse in almost half a decade to mock any envy anyone might have over his watches or his wife.

Keep ReadingShow less
Jacques Greene Returns to the Dancefloor With New Single "Presence"

Jacques Greene*

Jacques Greene Returns to the Dancefloor With New Single "Presence"

Montréal producer Jacques Greene is bringing it back to the dancefloor. The acclaimed electronic artist has announced jg, his third solo album and first since 2019's Dawn Chorus, arriving October 16 via LuckyMe. Alongside the announcement, Greene has shared the album's lead single, "Presence."

While Greene's recent releases, including 2025's collaborative album Verses GT with Nosaj Thing, leaned into ambient textures and introspective sound design, jg is described as an album built explicitly for clubs.

Keep ReadingShow less
‘A Soulless Demon’: D4vd’s Path From Pop Star to Accused Killer
Sacha Lecca

‘A Soulless Demon’: D4vd’s Path From Pop Star to Accused Killer

Caden Alvarez borrowed an orange shirt from his mom, wound himself in a leafy garland, and boarded the subway from his Bronx home to New York’s Union Square. It was late April 2025, and he’d scored free tickets to a pop-up event celebrating the release of Withered, the debut album from D4vd. Alvarez was a fan of the brooding, vulnerable bedroom pop that had turned the then-20-year-old, born David Anthony Burke, into a Gen Z sensation. The costume nodded to the cover of D4vd’s first EP, Petals to Thorns, and helped Alvarez win a $1,000 fan prize.

Alvarez watched as the singer was ushered to the stage to meet the event’s host. “What’s up guys?” D4vd said in a silly chipmunk voice. He spoke about Withered and performed an acoustic version of the album closer, “Afterlife.” But as he neared the end of the song, Burke’s voice faltered. He shook his head as though fighting tears. Abandoning the final lines, he let the guitar trail off into silence.

Keep ReadingShow less
Kanye West ‘Refused to Compensate’ Producer for Work on ‘Vultures 2′ and ‘Bully,’ Lawsuit Claims

Kanye West at Hollywood Park Grounds on March 14, 2024 in Inglewood, California.

Scott Dudelson/Getty Images

Kanye West ‘Refused to Compensate’ Producer for Work on ‘Vultures 2′ and ‘Bully,’ Lawsuit Claims

Kanye West is facing another lawsuit accusing him of mistreating a fellow musician.

A freelance producer, suing as a John Doe, claims in the new lawsuit that West, now known as Ye, hired him on “an emergency basis” to help finish the album Vultures 2, then failed to pay him for that work or for later contributions to tracks on Bully.

Keep ReadingShow less
Is One of the Summer's Biggest Hits AI-Generated?
Harrison Frazer/Getty Images

Is One of the Summer's Biggest Hits AI-Generated?

If there is a song that has captured the strange uncertainty of 2026, it might be Fenix Flexin’s “Rubberz.”

The track became a surprise hit, climbing the Billboard Hot 100 and attracting millions of views online. Sonically, it is unlike anything expected from the former Shoreline Mafia member: a melancholic synth-pop track built around an ’80s-inspired sound, complete with a dramatic vocal style that sounds closer to British new wave than West Coast rap.

Keep ReadingShow less