Weezer gathered a slew of guest stars for the raucous video for their new single “C.E.O.” The band, who will unveil their 20th studio LP, Weezer, on Aug. 21, enlisted Tony Hawk, Curry Barker, Dax Flame, Chit, Rob Riggle, Rob Huebel, Michael Peña, Giovanni Ribisi, and Christopher Mintz-Plasse.
The meta clip pays homage to their classic 1994 video for “Undone (The Sweater Song).” Huebel and Riggle play a pair of stereotypical CEOs watching Weezer shoot a music video in front of a gold backdrop, instead of the original blue. Frontman Rivers Cuomo complains about being stuck in the past, telling them, “We’ve done this before.” The band quits when the director releases a swarm of bees onto the set (the original clip featured dogs), only to be replaced by look-alikes.
“Cranking out another Nineties jam,” Cuomo intones on the track. “Wish I could do something new/ But nobody wants to hear that/ They just want the classics/ You can’t blame ’em, really/ There’s something special about your early shit.”
The musician recently explained the inspiration behind the track to Rolling Stone, saying, “I was bemoaning the fact that I’m finding myself in this role that doesn’t really work with being an artist. Everyone loved the song, but nobody liked that line. We ended up externalizing it — it’s like I’ve externalized this part of myself that’s bringing down the party.”
Weezer, dubbed The Gold Album, was co-produced by Geese collaborator Kenny Blume (f.k.a. Kenny Beats) and Klas Åhlund. The band has so far shared two tracks, “Shine Again” and “We Might as Well Be Strangers.”
“Kenny brought this kind of educated-thug vibe,” bassist Scott Shriner told Rolling Stone. “He’s six foot seven, big solid dude, very physically intimidating — and I just appreciate that. This guy’s a real force, he’s got the knowledge to back it up, and he’s a massive Weezer fan. In his words, he wanted to make the most violent Weezer record ever.”
In addition to the new song, Weezer announced additional dates for their upcoming Weezer: The Gathering tour. The expansive tour kicks off Sept. 8 in Sacramento, California, and continues around North America through late October. The band will then head to Japan in February 2027 and onward to Europe next May and June. The Shins and Silversun Pickups will open the North America dates, while Taking Back Sunday will open for the band overseas.
Tickets go on sale for the U.K. and Europe shows on Aug. 12, and the Japan tickets will be available from Sept. 5. Fans can join the Weezer Fan Club to access tickets early on Aug. 11.
Drake attends a game between the Houston Rockets and the Cleveland Cavaliers
Earl Sweatshirt Is Right: ‘Don’t Worry’ Is a Great Drake Song
Even the staunchest Drake hater can probably name at least one song that does it for them. For better or worse, Aubrey Graham has spent nearly two decades giving voice to the millennial subconscious more skillfully than any mainstream musician not named Taylor Swift, soundtracking the fears, insecurities, and romantic delusions of a generation raised on reality-TV melodrama and the first wave of social media’s main-character ethos. It should come as no surprise, then, that Earl Sweatshirt, underground rap’s poet laureate, has singled out the deep Iceman cut “Don’t Worry,” singing the song karaoke-style to close out his recent live sets. The track is the purest distillation of Drake’s appeal since the Take Care era, and a quiet reminder of why it’s hard to imagine him going away any time soon.
In the clips, which first started circulating around late May, during Earl’s Home on the Range Tour with MIKE on the heels of their Surf Gang-produced project Pompeii // Utility, it’s the song’s final turn that has Earl & Co. the most hyped up. “I just wanna see that boy beg on the pavement,” Drake coos, the type of revenge fantasy he’s built a career out of conjuring. Drake goes on. “I just wanna see that boy struggle with the phone bill,” he sings, getting specific. “The light bill/That’s how I feel.”
It’s PhD-level pettiness with a weirdly relatable spin. One must know the more treacherous depths of being broke to pinpoint the humiliation of struggling with the phone bill, and here Drake is wishing such luck onto anyone “trippin’ with the gang.” Whereas his entire catalog is fueled by this kind of anonymous sense of betrayal, it hits harder here. You can feel the sting of 2024’s rap beef in the glee with which Drake sings his imagined get-back, landing on an infectious melody all while basically giving a speech you’d expect from the Joker. “I might just get that boy hit for entertainment,” he sings.
This is classic Drake, turning the darker inner thoughts most people would be ashamed to admit into something almost beautiful. He is, in a way, rap’s Lena Dunham, finding art on the other side of cringe.
More recently, clips of Earl singing the song at the end of different tour stops — an ongoing bit at this point — went viral thanks to the never-ending stan wars between Kendrick and Drake fans. Some, unable to deny Earl’s bona fides as a rapper, assumed the whole thing must be an act of trolling, while others saw it as proof that Drake “won” the beef. The third option, of course, is that it’s a really good song, the type Drake is especially skilled at making.
At the height of the beef, like any millennial amidst a friend-group falling-out, Drake appeared to be rewatching The Sopranos, posting pictures from the show to his Instagram Stories. (Iceman’s hit single “Janice STFU” samples Tony Soprano uttering the infamous phrase to his sister, Janice.) “Don’t Worry” has the Machiavellian feeling of a classic mobster flick, a resolve for vengeance at any cost. A desire to see your enemies suffer. Across an entire album, it’s a mood that can feel heavy, but you’ve got to admit, when it hits, it hits. And that’s why Drake remains a fixture within not just hip-hop, but pop culture at large. He reconstructs embarrassingly human impulses as irresistible melodies. “Don’t Worry” might very well become the sleeper hit from Iceman, as clips from Earl’s concerts have already started to boost the song’s presence across feeds.
As he often does, Earl Sweatshirt simply speaks the truth.