Skip to content
Search

Pharrell Williams Debuts Unreleased Music With A$AP Rocky, Pusha T at Paris Fashion Week

The producer also previewed new songs with John Legend, Quavo, and Jackson Wang during Louis Vuitton's Fall-Winter 2026 Men's

Pharrell Williams Debuts Unreleased Music With A$AP Rocky, Pusha T at Paris Fashion Week
Getty Images

Pharrell Williams used Louis Vuitton’s Fall-Winter 2026 Men’s show at Paris Fashion Week as a dual-stage debut, unveiling both a new collection and a slate of unreleased music that underscored his expanding creative reach.

Held Tuesday (Jan. 20) at 2 Rue du Pont Neuf, the show was designed by Williams in his role as Louis Vuitton Men’s Creative Director, who also curated and produced the evening’s soundtrack—comprised entirely of unheard collaborations expected to surface on forthcoming albums, though no release details have been confirmed.


The runway presentation featured appearances from Williams himself and longtime collaborator Pusha T, setting the tone for a night where fashion and music moved in lockstep.

The first track premiered was “Pray For Ya,” a sleek, gospel-tinged groove with John Legend that blurred sacred and secular themes. “All this money, you can’t help yourself,” Legend drawls on the hook, nodding to Barack Obama before closing the free-spirited anthem with an invitation for listeners to let loose.

Next came “Sex God,” a glossy pop offering from Jackson Wang that marked his first collaboration with Williams. The electro-leaning track was punctuated by a guest verse from Pusha T, who channeled a classic Notorious B.I.G. cadence over Pharrell’s jittery, minimalist production.

Additional unreleased cuts included “Disturbing The P,” a celebratory pairing with A$AP Rocky, and the Quavo-led closer “Hit-A-Lik,” continuing the duo’s growing list of joint efforts.

Williams also shared the stage with Voices of Fire and L’Orchestre du Pont Neuf, led by Thomas Roussel, for a performance of their anticipated single “The One,” which was officially released in conjunction with the show.

The moment capped a landmark year for both Williams and Pusha T. Clipse’s fourth studio album, Let God Sort Em Out, reunited Pusha T and Malice with Williams as sole producer and earned widespread acclaim.

The duo is also up for multiple Grammy Awards, including Best Rap Album, alongside nominations for Clipse’s “The Birds Don’t Sing” for Best Rap Song and “Chains & Whips” for Best Rap Performance.

This story originally published on Vibe.

More Stories

Hear Dolly Parton’s First Posthumous Song — From a New Stanley Brothers Tribute Album

Dolly Parton's rollicking version of "Bound to Ride" is her first new track to be released posthumously

John Byrne Cooke Estate/Getty Images; Jason Kempin/Getty Images

Hear Dolly Parton’s First Posthumous Song — From a New Stanley Brothers Tribute Album

Almost all of the tracks on the years-in-the-making, all-star tribute album Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers, due Oct. 16, were recorded live in the studio, but the album’s producers made an exception for Dolly Parton. During a Covid surge circa 2022, Parton was taking no chances, so she recorded her vocal for the traditional song “Bound to Ride” (which the Stanley Brothers helped popularize with a 1964 recording) alone at her own studio. The virtuoso musicians known as the First Ladies of Bluegrass earlier laid down a backing track for her on their own, though you’d never know it by the playful vibrancy of her performance.

Keep ReadingShow less
Bootsy Collins Is About to Reveal All in Upcoming Memoir

Bootsy Collins, 1970s.

Michael Ochs Archives/Getty Images

Bootsy Collins Is About to Reveal All in Upcoming Memoir

In his 74 years on this planet, funk bass hero Bootsy Collins has survived James Brown’s frivolous fines, kept it on the one with George Clinton in Parliament and Funkadelic, and, as a solo artist, become the avatar for a whole genre since his influence echoes in the music of Prince, Dr. Dre, and Red Hot Chili Peppers. The title of his upcoming memoir, due March 23, is a nice summary of his existence: Funked Around, Found Out. But Collins says the book goes way deeper than that.

“Alright y’all pay attention, because here’s the key change: You’ve heard the records, but it’s finally time to tell my story — the whole truth, nothin’ but the truth, straight up, real deal,” he said in a statement. “If I’m lyin’, I’m dyin’ — ­and I ain’t ready to go yet.”

Keep ReadingShow less
Hundreds of Fans Potentially Scammed With Fake Céline Dion Tickets

Hundreds of Fans Potentially Scammed With Fake Céline Dion Tickets

As thousands of fans prepare to descend on Paris for Céline Dion’s long-awaited concert comeback, fraudulent websites and social media accounts are targeting people desperate to get inside. The Plenitude Arena, where Dion begins her sold-out run this weekend, is preparing for potentially hundreds of fans to arrive with tickets that look legitimate but are in fact couterfeit, the Associated Press reports.

More than nine million people reportedly entered the ticket lottery for Dion’s initial Paris shows, with the 16-date residency selling out within hours, making it a great opportunity for scammers. Another 10 concerts have been added for 2027.

Keep ReadingShow less
Nate Amos Is an Acclaimed Songwriter. He’s Not Sure How That Happened, Either
Eve Alpert*

Nate Amos Is an Acclaimed Songwriter. He’s Not Sure How That Happened, Either

The first time Nate Amos refers to himself as a songwriter in conversation, he uses air quotes. “Now that I’m a songwriter, quote unquote….” Amos says offhand during a recent interview. Why does one of the most widely hailed songwriters of recent years — the guy whose originals have been covered by Waxahatchee, Cameron Winter, Hayley Williams, Jeff Tweedy, and MJ Lenderman in the last 18 months alone — feel that those quote marks are needed?

“I always thought of myself much more in terms of composition, production, and conceptual art,” says Amos, who records as This is Lorelei. “I kept bouncing off the bottom of the rabbit hole, and at a certain point it seemed like the most creatively aggressive thing I could do would just be to rubber-band all the way back to the most bare-bones type of songwriting I could muster. Leaning into the songwriter thing was almost like a conceptual exercise. So I guess the quotes are because I didn’t expect to make my in-character singer-songwriter album and have a bunch of people go, ‘singer-songwriter Nate Amos.’ That took a little while to get used to.”

Keep ReadingShow less
There Are Now Four Kinds of Bugs Named After Taylor Swift

Taylor Swift has had many honors, but this appears to be the first bug named for her.

Taylor Hill/FilmMagic

There Are Now Four Kinds of Bugs Named After Taylor Swift

Taylor Swift has become so popular that she is no longer confined to the human species. A rising star entomologist at the University of California, Riverside, Sarah Schroeder, has named not one but four species of insects after Swift, critters so distinct that they have been put in their own genus, Swiftiephylus.

The insects are named “in recognition of her show-stopping talent, heart-wrenching lyrics, and the joy and comfort she has brought to so many,” Schroeder writes in her new study, published today in the scientific journal Insect Systematics & Evolution.

Keep ReadingShow less