Skip to content
Search

Kehlani’s Ex Javaughn Young-White ‘Deeply Regrets’ Claims Made In Custody Suit

Kehlani’s Ex Javaughn Young-White ‘Deeply Regrets’ Claims Made In Custody Suit

Javaughn Young-White says he regrets his word choice in a filing he made in his custody lawsuit against Kehlani, claiming on Friday that his former attorney had submitted the complaint “without my approval.”

The complaint included claims that Kehlani was in a cult. Young White’s statement comes days after he and Kehlani slammed TMZ for their coverage of the custody fight over their daughter Adeya.


“These documents contained general recollections from my initial consultation with my aforementioned rep,” he wrote on Friday. “They were filed with choice language I didn’t okay. I regret they were included.”

The initial filing described Kehlani’s ties to santería, an Afro-Caribbean religion based on Yoruba and Catholic beliefs, as being part of a cult. (TMZ called it a sex cult.) The initial filing also claimed a former priest of a religious group, who had been accused of sexual abuse, had been in the care of his daughter.

In Friday’s statement, Young-White said the information about the priest had been circulated by “parties attempting to use allegations and vocabulary to escalate their own disputes within the church,” and that his daughter “was no longer affiliated” with the church when the allegations occurred.

“I was still deeply distressed about the direct care of my child. From my perspective, I was being told the consequences of alarming decision-making that could have ended quite differently,” he wrote.

A rep for Kehlani did not immediately respond to Rolling Stone‘s request for comment on Young-White’s new statement.

The initial filing alleged that Kehlani had had a “home birth orchestrated” by a cult, and blamed the at-home birth for being the reason why Young-White isn’t listed on her birth certificate. The filing also claimed that the cult controlled Kehlani’s “actions and her behaviors, including when it comes to the upbringing of our daughter.”

“As a father, I could never have anticipated that such serious allegations would be so careless. I still believe my alarm was proportionate to the information I received from trusted parties,” he wrote Friday. “However, I deeply regret and apologize for any role I played in perpetuating these claims.”

Kehlani broke her silence this week, saying she’s “always taken great care to ensure that my child remains protected and safe,” and “strongly” denied that she had left Adeya “alone with anyone deemed dangerous or unsafe.”

“My child and my commitment to motherhood have always been my sole driving forces in this life and will always remain so,” she said at the time. Kehlani ended her statement by saying she would be “taking space” for her and Adeya’s well-being and would handle the matter privately.

More Stories

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’
Thea Traff

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’

If you talk to Florence Welch on any given day, it’s safe to assume she’s feeling a little anxious. “Anxiety is the constant hum of my life,” she says. “Then I step out onstage, and it goes away.”

Luckily, that’s where she is right now: draped in a long white dress, sitting comfortably in front of a 150-person audience at New York’s beautiful Cherry Lane Theatre, a storied downtown venue known as the birthplace of off-Broadway theater. It’s a week before the release of Everybody Scream, the excellent sixth album she made with her band, Florence + the Machine, and Welch is here for the first-ever live edition of the Rolling Stone Interview, the magazine’s long-running deep-dive conversation series. (The interview is also the first-ever video podcast version of the franchise — check it out on Rolling Stone’s YouTube channel and wherever you get your podcasts.)

Keep ReadingShow less
Prevost: the Québec company behind the biggest tours
Photo via Prevost

Prevost: the Québec company behind the biggest tours

If you’ve ever wandered backstage at a festival or through the private parking lot of an arena during a concert, you’ve probably noticed something: a long row of tour buses. And if you looked closely, you may have seen the same name on every single one: Prevost.

The story of these coaches, like that of nearly every tour bus in North America, doesn’t begin in Los Angeles but just outside Québec City.

Keep ReadingShow less
Rolling Stone Québec Future of Music 2025
Drowster

Rolling Stone Québec Future of Music 2025

Alexandra Stréliski

We could list a lot of impressive figures to showcase Alexandra Stréliski’s success: 600 million streams, 100,000 concert tickets sold, 10 Félix awards, 2 Polaris nominations, 1 Juno…

Drowster

Keep ReadingShow less
Dominique Fils-Aimé Follows Her Heart and Own Rules

Kaftan: Rick Owens/Jewelry: Personal Collection & So Stylé

Photos by SACHA COHEN, assisted by JEREMY BOBROW. Styling by LEBAN OSMANI, assisted by BINTA and BERNIE GRACIEUSE. Hair by VERLINE SIVERNÉ. Makeup by CLAUDINE JOURDAIN. Produced by MALIK HINDS and MARIE-LISE ROUSSEAU

Dominique Fils-Aimé Follows Her Heart and Own Rules

You know that little inner voice whispering in your ear to be cautious about this, or to give more weight to that? Dominique Fils-Aimé always listens to it — especially when people push her to go against her gut instinct. The jazz artist doesn’t care for conventions or received wisdom. She treats every seed life drops along her path as an opportunity to follow her instincts. To go her own way. To listen to her heart. And it pays off.

The Montreal singer-songwriter tends to question everything we take for granted. Case in point: applause between songs at her shows. Anyone who’s seen her live knows she asks audiences to wait until the end of the performance to clap, so as not to break the spell she creates each time.

Keep ReadingShow less
Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

Keep ReadingShow less