Skip to content
Search

Billie Eilish Reveals She’s ‘Never Been Dumped’: ‘I’ve Only Done the Breaking Up’

Billie Eilish Reveals She’s ‘Never Been Dumped’: ‘I’ve Only Done the Breaking Up’

Many of the relationships Lana Del Rey and Billie Eilish have been in are forever immortalized in their music, but the details about how they began and — more importantly — how they ended are usually more complex than what can fit into a three-minute-long song. In conversation for Interview Magazine, the musicians discuss the intricacies of falling in and out of love — and why the person ending the relationship isn’t always the villain.

“I don’t know how many times I’ve really been in love. I think there’s different versions of love, and I think that you can be in love and it might not be deep. I’m not going to get too in detail, because I’m going to be rude, but I’ve never been dumped, and also, I’ve never been broken up with. I’ve only done the breaking up,” Eilish told Del Rey, adding: “I think when people hear that, they’re like, ‘Oh, all you do is break hearts.’ Sure, but that doesn’t mean that people are totally innocent. It means that I was like, ‘Oh, let me get the fuck out of here.’ Or it means things just weren’t right.”


Del Rey knew exactly what Eilish meant, noting that the tendency to call it quits could stem from a need to run from the realities of the relationship. “I tell people that they broke up with me, because essentially, they did,” Del Rey shared. “Because they made me do that.” And from Eilish’s perspective, being broken up with and being the one to do the breaking up both come with their own lingering pains. “Obviously being broken up with hurts like hell, especially when you don’t see it coming and you wanted a future, and it’s taken out of your hands,” she said. “But honestly, the pain of knowing that you have to end something with somebody that you genuinely love is so horrible.”

Both artists agree that pulling the plug first does rob you of a certain emotional response from an external perspective, as though making that decision doesn’t come with its own fear, anger, or sadness. “You don’t get to even have the, like, ‘I got dumped, so fuck you guys. I get to go crazy and have a reaction and be mad at you. And I get to make you into an enemy, because you broke up with me,'” Eilish explained. “You can’t do that. You can’t become a victim.”

Figuring out how to preserve these emotions in music required Eilish to confront how she processed them within herself first. Creating her new album Hit Me Hard and Soft brought the singer to the realization that “maybe I’m obsessed with the idea of nonchalance,” and there’s an internal tension she experiences regarding how she communicates her emotions. “I would rather suffer in silence than tell you something’s bothering me and have you think I’m sensitive,” she admitted.

For Del Rey, whose emotional process is similarly dissected by the public through her music, leading with raw honesty almost always yields greater long-term results. “I got in so much trouble just for writing a song about me watching my boyfriend playing video games that I felt sequestered into wearing a turtleneck for 11 years,” she said. “But just because our stories are written in the stars doesn’t mean they are set in stone. If I want to go back and say something completely different than I did a few years ago, I can tell you with the utmost confidence I will do that and risk what people are going to say. The only thing is that I have to stay out of all the results.”

Eilish echoed a similar sentiment in her recent Rolling Stone cover story, speaking specifically about the news cycles surrounding discussions of her sexuality. “The whole world suddenly decided who I was, and I didn’t get to say anything or control any of it,” she said at the time. “Nobody should be pressured into being one thing or the other, and I think that there’s a lot of wanting labels all over the place. Dude, I’ve known people that don’t know their sexuality, or feel comfortable with it, until they’re in their forties, fifties, sixties. It takes a while to find yourself, and I think it’s really unfair, the way that the internet bullies you into talking about who you are and what you are.”

More Stories

Megan Thee Stallion Hospitalized After Becoming ‘Very Ill’ During ‘Moulin Rouge’ Broadway Performance

NEW YORK, NEW YORK - MARCH 24: Megan Thee Stallion makes her Broadway debut in Moulin Rouge! The Musical at Al Hirschfeld Theatre on March 24, 2026 in New York City.

(Photo by Theo Wargo/Getty Images for Hot Girl Productions)

Megan Thee Stallion Hospitalized After Becoming ‘Very Ill’ During ‘Moulin Rouge’ Broadway Performance

Megan Thee Stallion was transported to a hospital on Tuesday, March 31, during her performance of Moulin Rouge! The Musical and left the show mid-way.

“During Tuesday night’s production [of Moulin Rouge! The Musical], Megan started feeling very ill and was promptly transported to a local hospital, where her symptoms are currently being evaluated,” a spokesperson for Megan Thee Stallion said in a statement to Rolling Stone. “We will share additional updates as more information becomes available.”

Keep ReadingShow less
Lizzo Reveals She Lost Her Virginity in 2020 After Winning Three Grammys

Lizzo Reveals She Lost Her Virginity in 2020 After Winning Three Grammys

Lizzo revealed that she lost her virginity after winning three Grammy Awards in 2020, honoring a longtime pact she made with herself.

Appearing on the Friends Keep Secrets podcast, Lizzo made the confession to hosts Benny Blanco, Lil Dicky, and Kristin Batalucco. During a broad-ranging conversation on the podcast, Lizzo, now 37, acknowledged, “I was a late bloomer. I lied about it for a long time.”

Keep ReadingShow less
Ye Aims for a Career Reset With ‘Bully’
Nya Nicoll*

Ye Aims for a Career Reset With ‘Bully’

It’s possible that we didn’t, in fact, want the old Kanye. Bully, the 12th studio album from Ye, né Kanye West, feels in some ways like a greatest-hits compilation: There are soul samples flipped with the alchemic acumen that made Ye one of the main architects of the past 20 years of popular music. There are crisp, stadium-ready melodies and polished, albeit just serviceable, hooks. Yet the project feels lifeless overall, as though the Ye whom fans might remember, like the times he represents, is indeed never coming back.

Bully arrives after the much embattled Vultures, which Ye struggled to get on streaming platforms while still managing to deliver a Number One song in “Carnival.” Vultures saw Ye fully on the defensive, following his setting fire to every personal and professional bridge he had with a spree of antisemitic tirades and antics — all of which is documented in the documentary In Whose Name?, no less. After going on to release a song with the hook “Heil Hitler” (which incidentally played a role in the recent viral fame of “looksmaxxing” proponent Clavicular), and getting booted from Shopify for selling merch with swastikas, Ye had successfully shut himself out of mainstream conversation. He continued touring internationally to muted fanfare, and existed as something of a pariah in the States.

Keep ReadingShow less
Noah Kahan Prepares to Follow Up the Massive Success of ‘Stick Season’ in New Documentary Trailer
Netflix*

Noah Kahan Prepares to Follow Up the Massive Success of ‘Stick Season’ in New Documentary Trailer

Noah Kahan faces the pressure to follow up his breakthrough hit, “Stick Season,” in the new trailer for Noah Kahan: Out of Body, out April 13 on Netflix.

Directed by Nick Sweeney, the trailer opens with Kahan being asked what he looks at on his phone directly after performing a concert. “Occasionally I’ll check Twitter, see what the response to the show was,” he tells the camera. “And if it’s not good, I barricade myself in mu room and order Taco Bell. And if it’s good, I barricade myself in my room with Taco Bell.”

Keep ReadingShow less
Cardi B Shuts Down Lawsuit Claiming ‘Enough (Miami)’ Used Beats From ‘Reservation Dogs’ Song

Cardi B attends the Ashi Studio Haute Couture Fall/Winter 2025/2026 show as part of Paris Fashion Week on July 08, 2025 in Paris, France.

Pierre Suu/Getty Images

Cardi B Shuts Down Lawsuit Claiming ‘Enough (Miami)’ Used Beats From ‘Reservation Dogs’ Song

Cardi B scored another court victory Monday when a federal judge in Texas dismissed the copyright infringement lawsuit claiming her hit song “Enough (Miami)” stole beats from the 2021 song “Greasy Frybread” from the acclaimed FX series Reservation Dogs.

Plaintiffs Joshua Fraustro and Miguel Aguilar, known professionally as the production duo Kemika1956, sued the Grammy-winning rapper nearly two years ago, claiming she violated the copyright for “Greasy Frybread” by “reproducing, distributing, and publicly performing the infringing work” without permission. They later amended their complaint to add more claims, including defamation.

Keep ReadingShow less