Skip to content
Search

Bob Dylan Hired a New Guitar Player, but Big Questions Linger

Up until this week, Dylan’s new guitarist, Joel Paterson, had a weekly Monday-night gig at the 150-seat Green Mill Cocktail Lounge in Chicago

Bob Dylan Hired a New Guitar Player, but Big Questions Linger

Dylan onstage in 2023. He debuted his latest guitarist, Joel Paterson, in Austin on Monday.

Gary Miller/Getty Images

Bob Dylan‘s June 29 show at the Moody Amphitheater in Austin was supposed to just be a standard stop on a long tour that’s scheduled to run through the end of the year. But after guitarist Doug Lancio left the band two weeks ago, replacement Julian Lage had a prior commitment in Brooklyn that night, and second guitarist Bob Britt suddenly quit the group with a “Sayonara Bobby” Facebook post a couple of days earlier, nobody knew who may be joining Dylan, bassist Tony Garnier, and drummer Anton Fig that night.

In the fan community, speculation ran wild: Might Jimmie Vaughan step into the void? Would Lancio return? Was there any chance that a beloved past member of Dylan’s group like Larry Campbell or G.E. Smith would come back for an encore run? Was there a scenario where Dylan, Garnier, and Fig play as a Ben Folds Five-style trio? Could Britt pull a reverse “sayonara” and come back to help Dylan out of his jam? And would Dylan have just one guitarist in the band for the first time since the John Jackson days of 1991, or might we see the debut of two new members?


- YouTube youtu.be

The answer came when the lights dimmed and Chicago-based blues guitarist Joel Paterson walked onto the stage to make his debut with Dylan’s band, and faced the difficult task of handling all of the guitar parts by himself. Paterson is hardly a household name, but he has a long history on the Chicago blues scene and has recorded with Dave “Honey Boy” Edwards, Wanda Jackson, Cactus Blossoms, and JD McPherson.

Up until this week, Paterson played every Monday with his jazz quartet at the historic Green Mill Cocktail Lounge in Chicago, which seats just about 150 people. He last performed there Saturday, June 27, two days before his debut with Dylan. Hours before Paterson made his debut with Dylan, his Joel Paterson Quartet bandmate Natalie Scharf wrote on Facebook that he’d be absent from the Monday gig for the next two or three weeks, and guitarist Andy Brown would take his place. She didn’t mention that he was about to play “All Along the Watchtower” and 15 other songs with Dylan at a 5,000-seat amphitheater in Austin.

According to early fan reports, Paterson did a stellar job with Dylan, and seemed remarkably confident. It’s unclear how much time he had to prepare for the gig, or when he learned that Britt wouldn’t be up there to help him. It’s also unclear how familiar he was with Dylan’s music, but he did play pedal steel on four Dylan songs (“If Not for You,” “To Ramona,” “When to See the Gypsy,” and “Tell Me That It Isn’t True”) on the 2022 Cactus Blossoms EP Bob Dylan Songs Vol. 1.

Not long before showtime, Britt posted a more detailed explanation of his exit from Dylan’s band on Facebook. “Apparently there are quite a few threads out there with people speculating about my departure from the Bob tour,” he wrote. “I’d like to clear it up. I was not fired but left of my own accord for reasons I would prefer to keep private. I will miss my band mates and crew. I am looking forward to getting back to doing sessions (give me a call) and also finishing up [my wife] Etta’s gospel record. As far as any touring goes, we will see what the future holds. Meanwhile, I have some flower beds to weed.”

He hasn’t written anything else, but his wife has revealed slightly more on her Facebook page. “Yes, but not because of Julian [Lage],” Etta wrote when asked if Bob left the band. “Julian has gone back to his tour. He enjoyed playing with him and said he’s a great guy.” Later in the comment thread, she wrote “word is he’s coming back” in reference to Lage.

We have also learned that Lage indeed plans on playing additional dates with Dylan this year when his schedule permits. He couldn’t make the show in Austin because he was booked at National Sawdust in Brooklyn for an hourlong Q&A with The New Yorker’s Alec Wilkinson, followed by an acoustic performance. Throughout the entire event, Dylan’s name was never uttered once. It seemed to take place in an alternate universe where Lage didn’t just wrap up a surprise stint with one of the most important artists of the century. (I was in the front row and put my hand high into the air during the Q&A portion. I was going to ask a multipart question that went something like, “You just spent a couple of weeks on tour with Bob Dylan. How did that come about, what was the experience like, and do you plan on going back?” But they never called on me. I felt like Tracy Flick in Election, desperately trying to get the attention of the teacher and failing miserably.)

Dylan’s tour resumes Tuesday night in New Braunfels, Texas. The U.S. leg wraps up Aug. 1 in Nashville. Lage’s schedule makes it possible for him to make every show besides the July 4 gig in Kansas City, Missouri. Things get trickier when Dylan goes to Europe in October, since Lage is booked up solid that month in America.

Nobody knows exactly how this will play out. Paterson could be a temporary replacement and will soon be back to his Monday-night gig at the Green Mill Cocktail Lounge. He might stick around as the sole guitarist. Dylan might hire a replacement for Britt, keep Paterson on a permanent basis, and return to the standard two-guitar lineup. Lage might parachute in and out when his schedule allows, leaving Paterson to handle the show by himself some nights.

We simply have no idea. What we can say is that the Never Ending Tour hasn’t seen this much drama in a very long time.

More Stories

The Charts and the Clubs Have Different Definitions of the Song of the Summer

DJ Rosegawd

Courtesy of DJ Rosegawd

The Charts and the Clubs Have Different Definitions of the Song of the Summer

Diamora Hunt didn’t have to do much during the first stretch of her CultureCon Café set in early June. Organizers for the event recruited the Los Angeles-based DJ, who performs as Rosegawd, to keep the room from feeling static. For a while, she played background tracks while guests mingled throughout Sincerely Yours, a Black-owned art gallery and club in downtown L.A. Once everyone seemed comfortable, Hunt found the perfect moment to turn up the heat.

The crowd’s attention had been split between each other and Game Four of the NBA Finals, where the New York Knicks were rapidly rebounding from a 29-point deficit against the San Antonio Spurs. With less than two seconds left in the match, the Knicks took the lead. In time with the final buzzer, Hunt dropped “Spend Dat,” the Yung Miami hit released in April. “That room erupted in a unison of happiness,” Hunt tells Rolling Stone. “They just took that moment to be talking about, ‘Where are the scammers?’”

Keep ReadingShow less
‘Travis Barker: Louder Than Fear’: Six Things We Learned About the Drummer’s Hard Life

Barker performing with Blink-182 in 2009.

C Flanigan/FilmMagic

‘Travis Barker: Louder Than Fear’: Six Things We Learned About the Drummer’s Hard Life

Travis Barker didn’t want to do this documentary. He’d been filming Travis Barker: Louder Than Fear since 2017, chronicling his life dealing with the debilitating effects of post-traumatic stress disorder since surviving a plane crash nine years earlier. In an incident that made national headlines at the time, the Blink-182 drummer and three friends were in a private jet, heading home from Columbia, South Carolina, when the landing gear burst into flames. Two of his best friends were killed. A third passenger, his close friend and collaborator DJ AM, died a year later of an overdose. Barker was in intense emotional and physical pain. He was suicidal. He wasn’t sure he’d ever make it back.

Keep ReadingShow less
Forget AI: Rap’s Biggest Trend This Summer Is the Eighties

Fenix Flexin

Forget AI: Rap’s Biggest Trend This Summer Is the Eighties

When Fenix Flexin and Tyga worked together in a studio this summer, Tyga realized they had independently landed on a similar Eighties sound. By then, Fenix, the Los Angeles rapper and Shoreline Mafia member, had released a song called “Rubberz” with producer Purps on the Beat. It sounded like a record transmitted straight from a time machine, with Fenix singing in a fake British accent over New Wave synths. As you probably know by now, it became a hit: “Rubberz” peaked at Number 58 on the Billboard Hot 100.

Tyga, meanwhile, was deep into $TARFACE, a 10-song album of glossy Eighties pop credited to Tyga and his new alter ego, also named $TARFACE. He and Fenix recorded “Lavish,” an unreleased collaboration that found them playing with the same bright keyboards and processed vocals. Tyga says they arrived at the sound separately.

Keep ReadingShow less
Morgan Freeman on His New Blues Album and His Action-Star Dreams

"Just keep moving," says Morgan Freeman, who sees no retirement in sight at age 89.

Courtesy Ground Zero Blues Club Media

Morgan Freeman on His New Blues Album and His Action-Star Dreams

Morgan Freeman has spent the last five decades playing Batman’s Bat-Tech supplier, the president of the United States (multiple times), Nelson Mandela, and God himself, but since 2001, he’s also been the proprietor of his very own juke joint. He co-founded Ground Zero Blues Club in Clarksdale, Mississippi — a state where he spent part of his childhood — after realizing that visitors to the site of Robert Johnson‘s crossroads had no place to hear the blues.

The latest offshoot of that venture is the just-released album Morgan Freeman’s Symphonic Blues Experience, which does just what the title promises, adding tasteful orchestral arrangements by London’s Chineke! Orchestra to new takes on blues standards. Taj Mahal covers Son House’s “Death Letter Blues,” Keb’ Mo’ revs up Albert King’s “Cadillac Assembly Line,” and Shemekia Copeland reclaims Johnson’s “Traveling Riverside Blues,” nodding to Led Zeppelin’s reinvention of it along the way. The album, which also includes historical narration by Freeman, benefits the Ground Zero Arts Foundation, the club’s charitable arm. It grew out of a touring live show of the same name featuring local orchestras alongside Ground Zero regulars, with Freeman’s filmed narration.

Keep ReadingShow less
Drake Appears on Karol G’s New Album. Let’s Look at His Past Latin Music Collaborations

Drake has worked with some of the biggest acts in Latin music from Bad Bunny to Karol G

Kevin Winter/Getty Images; Simone Joyner/Getty Images; Neilson Barnard/Getty Images

Drake Appears on Karol G’s New Album. Let’s Look at His Past Latin Music Collaborations

It’s official, Drake and Karol have collaborated on new song “Ahí” from the Colombian superstar’s latest release No Me Arrepiento de Sentir Tanto.

The sultry track features Champagne Papi at his best. “Drake singing in Spanish has always been incredible to me,” Karol recently told Rolling Stone. “We started talking about making it a duet, like the verses responding to each other. And I was like, ‘I don’t know, but I’d love it if Drake sang it in Spanish.”

Keep ReadingShow less