Skip to content
Search

Cardi B Shuts Down Lawsuit Claiming ‘Enough (Miami)’ Used Beats From ‘Reservation Dogs’ Song

A federal judge in Texas ruled it would be “futile” for the producers to try again with a third amended complaint

Cardi B Shuts Down Lawsuit Claiming ‘Enough (Miami)’ Used Beats From ‘Reservation Dogs’ Song

Cardi B attends the Ashi Studio Haute Couture Fall/Winter 2025/2026 show as part of Paris Fashion Week on July 08, 2025 in Paris, France.

Pierre Suu/Getty Images

Cardi B scored another court victory Monday when a federal judge in Texas dismissed the copyright infringement lawsuit claiming her hit song “Enough (Miami)” stole beats from the 2021 song “Greasy Frybread” from the acclaimed FX series Reservation Dogs.

Plaintiffs Joshua Fraustro and Miguel Aguilar, known professionally as the production duo Kemika1956, sued the Grammy-winning rapper nearly two years ago, claiming she violated the copyright for “Greasy Frybread” by “reproducing, distributing, and publicly performing the infringing work” without permission. They later amended their complaint to add more claims, including defamation.


Cardi challenged the lawsuit on several grounds, including her argument that “Greasy Frybread” was not protected by copyright. Her lawyers said the plaintiffs initially brought a federal copyright infringement claim but later shifted to Texas law. “It appears this was done because [plaintiffs] belatedly realized – after [Cardi’s] counsel brought it to their attention – that they lacked a copyright registration,” Cardi’s lawyers wrote in a dismissal motion filed in September 2024. The plaintiffs later secured a copyright for “Greasy Frybread” with an effective registration date of Oct. 31, 2025.

In a ruling on Monday, U.S. District Judge Fernando Rodriguez found that the state court claims brought by Fraustro and Aguilar were too weak to proceed. The plaintiffs had argued that Cardi B, born Belcalis Almánzar, performed multiple shows in Texas, making it appropriate to apply Texas law. But the judge concluded those appearances were insufficient and said allowing another amendment to the complaint would be “futile.”

“Plaintiffs do not demonstrate that Almanzar targeted Texas for concert performances, rather than simply including Texas venues within a broader concert tour in numerous states,” the judge wrote. “Almanzar’s performances in Texas are not distinct from her performances in [various] other states, rendering the concerts in Texas insufficient to establish general jurisdiction.” He added that even if personal jurisdiction could be established, the plaintiffs’ claims would still be dismissed for failure to state a valid cause of action.

“Obviously, we are very pleased with today’s order and appreciate the court’s careful consideration of the issues,” Cardi’s longtime laywer, Lisa F. Moore, said in a statement sent to Rolling Stone. (Robert R. Flores, the lawyer for the plaintiffs, did not respond to a request for comment.)

In 2021, Kemika1956 released the song “Greasy Frybread” with Sten Joddi, the actor who played rapper Punkin’ Lusty on Reservation Dogs. The track has notched more than 920,000 views since it was uploaded on FX Networks’ YouTube four years ago.

Cardi’s “Enough (Miami),” her first single as a solo artist and sans guests since 2021, has 78 million views on YouTube and reached Number Nine on the Billboard Hot 100. The song was also named one of Rolling Stone’s Best Songs of 2024.

Cardi’s latest court win comes after a long line of legal victories. Last September, a jury rejected an assault lawsuit brought by a security guard against the “WAP” rapper, taking only an hour to unanimously side with Cardi. She also previously scored a $4 million jury verdict against celebrity gossip vlogger Latasha Kebe, professionally known as Tasha K.

Meanwhile, a New York judge sided with Cardi and dismissed a libel lawsuit that named her as a defendant alongside her sister, Hennessy. Cardi further won at a California-based federal trial where she was accused of using a portion of a man’s back tattoo on the cover of her early mixtape Gangsta Bitch Music Vol. 1.

More Stories

Bleachers Reminisce About House Shows and DIY Tours on New Song ‘The Van’
Jack Antonoff in the music video for Bleachers' 'The Van.'Alex Lockett

Bleachers Reminisce About House Shows and DIY Tours on New Song ‘The Van’

Bleachers end up playing an impromptu house show in the new music video for “The Van,” the latest offering from the Jack Antonoff-led outfit’s upcoming LP, Everyone for Ten Minutes.

“The Van” sits solidly in that classic category of Bleachers songs in which Antonoff ruminates on his early days as a musician and leaving home for the first time. Over a steady drum groove and a heady mix of horns and harmonica, Antonoff recalls Wawa pitstops, gigs at Wayne Firehouse (an old underground venue in New Jersey), and a fateful tour that solidified his musical ambitions.

Keep ReadingShow less
Britney Spears Voluntarily Checks Into Rehab Facility

Photo by Axelle/Bauer-Griffin/FilmMagic

Britney Spears Voluntarily Checks Into Rehab Facility

Britney Spears has entered rehab following her arrest on suspicion of driving under the influence. The singer voluntarily checked into the treatment facility, a rep for the singer tells Rolling Stone.

The move comes just over a month after she was arrested on March 4 outside of Los Angeles County. A California Highway Patrol spokesperson told Rolling Stone at the time that officers suspected Spears was driving under the influence of alcohol and drugs. “Ms. Spears, showed signs of impairment and submitted to a series of field sobriety tests. Ms. Spears was subsequently arrested for a violation of California Vehicle Code section 23152(g), driving under the influence of a combination of drugs and alcohol, and booked into the Ventura County Main Jail.”

Keep ReadingShow less
BTS Is Back on Top: ‘We Have to Push It to the Edge’
BTS est de retour au sommet: ‘Il faut qu'on repousse les limites’
Photograpies par Pak Bae

BTS Is Back on Top: ‘We Have to Push It to the Edge’

When RM is going through an existential crisis, which is pretty often, he might think of the words of Rainer Maria Rilke, or maybe the lyrics of Tyler, the Creator. BTS’ leader loves that other poetically inclined RM, and keeps coming back to an oft-quoted section of his 1905 poem “Go to the Limits of Your Longing”: “Let everything happen to you/Beauty and terror/Just keep going/No feeling is final.” In other words, just swim.

Lying in his cold army bunk, scalp buzzed close, struggling with 18 unrelenting months of insomnia during mandatory military service, RM would listen to Don Toliver, to Playboi Carti, to Dijon’s debut, to Joji’s ballad “Past Won’t Leave My Bed.” When the lyrics got his brain humming with too many ideas for his own, he’d switch to streaming classical and ambient music. But he really latched onto Tyler’s “Darling, I,” and the chorus phrase “Forever is too long.” Tyler and Teezo Touchdown were singing about dodging monogamy at all costs, but RM teased out his own, deeper meaning. “Maybe at that time, the military felt too long for me,” RM says. “I just kept singing the phrase all the time. And I was being healed just by singing along to it.”

Keep ReadingShow less
Lil Jon to Go Deep and Get Low in New Memoir

Lil Jon performing in December 2025

Derek White/Getty Images

Lil Jon to Go Deep and Get Low in New Memoir

Lil Jon has written a new memoir, which will be published this fall and boasts the exceptional title, I Only Shout So You Can Hear Me.

The book will find the hit-making King of Crunk and master ad-libber offering an expansive look at his life and career. To give a sense of that scope, People notes that the book begins not with Lil Jon’s own birth, but the birth of his mother in Alabama.

Keep ReadingShow less
Billie Eilish Shares Creative Vision Behind Her James Cameron-Directed Concert Film in New Trailer

Billie Eilish in 'Billie Eilish Hit Me Hard and Soft: The Tour (Live in 3D)'

Henry Hwu

Billie Eilish Shares Creative Vision Behind Her James Cameron-Directed Concert Film in New Trailer

Billie Eilish has shared a new trailer for her forthcoming 3D concert film, which she co-directed with James Cameron.

In the clip, Eilish and Cameron discuss the creative vision behind Billie Eilish Hit Me Hard and Soft: The Tour (Live in 3D), with Cameron noting, “This is going to blow people’s minds.” The trailer reveals how the 3D camera were set up during Eilish’s headlining tour, including putting one inside a glowing box with the singer. “We’re going to have to play some games, but we’ll make it look great,” Cameron says.

Keep ReadingShow less