Skip to content
Search

How Hannah Einbinder ‘Hacks’ It in the Comedy World

How Hannah Einbinder ‘Hacks’ It in the Comedy World

You would be forgiven for mistaking Hannah Einbinder for Ava Daniels, the character she plays on HBO’s Hacks. The actor shares certain similarities with the comedy writer she’s portrayed for two seasons now, like their dry delivery, which leaves you less than 100 percent sure of whether they’re fucking with you until they crack a smirk and let you in on the joke. That’s not all, though. 

“We’re both the same age, and we have the same face and body, of course,” Einbinder shares. “She looks exactly like me. That’s some Inside the Actors Studio stuff, a look behind the curtain.” 


See also: Dry delivery. 

But really, Einbinder, 28, found widespread recognition (including twin Outstanding Supporting Actress Emmy nominations) in her mid-twenties with Hacks, the same age that Ava is while finding her groove as a writing partner to comedian Deborah Vance (played by Jean Smart, who has her own pair of Best Actress statues for the show), an elder stateswoman of comedy struggling to stay both relevant and creatively fulfilled in the time of TikTok. Einbinder has her own comedic legacy influence in her life: Her mother, Laraine Newman, was part of the original cast of a little-known variety show called Saturday Night Live in 1975. 

Yes, Ava walks and talks like Einbinder, with the actor saying that “as time has gone on, I’ve imbued her with my affect,” but “there are just as many fundamental differences” between them. For one thing, Ava is a Virgo. Einbinder? “Classic Gemini.” 

Season Three of Hacks continues the ongoing rom-com (no happily ever after guaranteed) between Ava and Deborah. They say that if you really love something, you should set it free, which is exactly what Deborah was going for when she fired Ava in the Season Two finale after the pair pulled off a coup with Deborah’s self-financed stand-up comeback special. 

“She knows Deborah is running away from stability,” Einbinder says. “Pushing Ava away because she’s scared.”

A year later in the show’s timeline, Ava and Deborah are estranged. They’re professionally successful, if a little bored, and Ava is playing house with her girlfriend, preoccupied with the minutiae of TripAdvisor ratings for a vacation she wants to go on while the show she writes for is on hiatus; and Deborah can’t be bothered to show up for the unveiling of a slot machine with her face on it. Things are … fine. 

“ ‘You’re funny, but that doesn’t always yield results,’ ” my mom said. “Nothing is guaranteed.” 

“Of course that only lasts so long, and Ava blows it up to return to Deborah,” Einbinder says, arid. Part of that blowing up of Ava’s life also leads to whatever was going on in those set photos of Einbinder getting hot and heavy with guest star Christina Hendricks, which set the internet ablaze. Einbinder declined to share many spoilery details, but she says she’s looking forward to the audience’s reaction to that episode. Things get so steamy that perhaps it’ll get … sweaty? 

“Things on Hacks, when it comes to the hot and heavy, it’s only hot and heavy for so long, and then the comedy slides in,” she says. “The scene is explosive, of course, on that level, but also it’s really fucking funny and so outrageous and insane.”

Though she’s the daughter of a comedy great, who will be portrayed in the upcoming movie SNL 1975 by Emily Fairn, Einbinder says she’s most benefited from her mom’s hindsight. Newman was 23 when SNL premiered, not too far off from Einbinder’s age when she snagged the co-lead in Hacks. However, “my mom was a drug addict and kind of on her own in the world” when SNL came a-calling. “She didn’t really have a solid support system, and SNL is a famously chaotic place,” Einbinder says. “So I have certainly benefited from her sober wisdom about those early days.”

And that sad-clown trope exists for a reason: You’ve gotta laugh to keep from crying, and sometimes the business of comedy is anything but a barrel of laughs. Einbinder takes her professional and personal growth seriously: She watches herself on episodes of Hacks “like a football player watching game tape” and reads self-help books to learn, in her words, “how to be not shitty.” In addition to the new season of Hacks, she’s also got her first stand-up special coming to Max this June. She has a leg up in the comedy world, but she’s not skipping days at the gym, so to speak.

“At one point, I asked her if she thought I could do it,” Einbinder says of following in her mom’s footsteps. “And she said, ‘Nothing is guaranteed. I think you’re funny, but that doesn’t always yield results.’ She never really blew smoke about the reality of this.”

And that message, as we watch Einbinder, as Ava, stumble and recover, is never more clear than in Hacks. 

More Stories

Marketer Behind Fake Quotes in ‘Megalopolis’ Trailer Dropped by Lionsgate

Marketer Behind Fake Quotes in ‘Megalopolis’ Trailer Dropped by Lionsgate

Eddie Egan, a very real marketing consultant, lost his gig with Lionsgate this week after the studio discovered that quotes he used in a trailer for Francis Ford Coppola’s Megalopolis were fabricated, according to Variety.

The conceit behind the teaser, which Lionsgate recalled on Wednesday, was that critics had trashed Coppola’s masterpieces throughout the decades, so why trust them? Except that the critics quoted didn’t actually write any of the pith. A quote attributed to Pauline Kael that was said to have run in The New Yorker, claiming The Godfather was “diminished by its artsiness,” never ran.

Keep ReadingShow less
Can the Best of Star Wars Survive the Worst of Its Fans?

Can the Best of Star Wars Survive the Worst of Its Fans?

When George Lucas debuted his science fiction epic about a galaxy far far away in 1977, Star Wars went from a long-shot space opera into the highest grossing science fiction franchise of all time. Almost 50 years and one sale to entertainment conglomerate Disney later, Star Wars isn’t just a one-off world. There have been prequels, reboots, stand-alone television series, and an in-depth theme park addition. But like most popular culture, the Star Wars fandom, especially online, has become inundated with loud, conservative, and in some cases, incredibly racist voices. While Disney has never said these voices are directly impacting what shows get made, the vocal minority of Star Wars devotees keep limiting what they’ll accept as true Star Wars. These fans say they’re fighting for Star Wars’ future. But if their endless fantasy world can’t accept any stories that they don’t recognize — some of the self-professed biggest fans in all the worlds could be closing themselves off to any future at all. What is crystal (kyber?) clear is that before Star Wars can have another successful show, the loudest voices online need to realize the Star Wars they want to return to never existed in the first place. Will the real Star Wars please stand up? 

Much of the online discourse around Star Wars has centered on the franchise’s most recent live action projects. First premiering in 2019, these include The MandalorianThe Book of Boba Fett, Ahsoka, Obi-Wan Kenobi, Andor, and The Acolyte. The market has been oversaturated with stories, especially many that occur within the same time frames, with fans frankly, getting tired and in some cases — outright bored. Each of the projects has had its own reception — and own problems. However the low audience scores, angry YouTube rants, and long Reddit threads can really boil down to one question: who determines what’s real Star Wars? First as a film, and then a trilogy, Star Wars established early on to viewers that even when they were focused on a set of powerful twins and a dark Empire, shit was going down on literally every other planet. This freedom has allowed for endless story arcs across decades. But while opportunities have been endless — the patience of fans hasn’t. 

Keep ReadingShow less
Bob Mould and Fred Armisen Help the 8G Band Sign Off ‘Seth Meyers’ With Hüsker Dü Cover

Bob Mould and Fred Armisen Help the 8G Band Sign Off ‘Seth Meyers’ With Hüsker Dü Cover

Bob Mould and Fred Armisen helped the 8G Band close out their tenure as the Late Night With Seth Meyers house band last night.

Mould fronted the group as they tore through a cover of Hüsker Dü’s classic, “Makes No Sense At All,” from the pioneering punk group’s 1985 album Flip Your Wig. Armisen, meanwhile, took his spot behind the drums and belted backing vocals alongside keyboardist Eli Janney, guitarist Seth Jabour, and bassist Syd Butler.

Keep ReadingShow less
J Balvin to Make Acting Debut in Crime Drama About a Fishing Village-Turned-Smuggling Hub

J Balvin to Make Acting Debut in Crime Drama About a Fishing Village-Turned-Smuggling Hub

J Balvin will make his big screen debut as an Interpol investigator digging into a drug smuggling operation in the upcoming film, Little Lorraine, according to Variety

The film appears to be loosely based on real events in the Eighties, and will chronicle how a far-flung fishing and mining village in Nova Scotia became a hub for cocaine smuggling. Balvin’s Interpol investigator is drawn up north while investigating a Colombian drug ring suspected of moving product through the area.

Keep ReadingShow less
Watch Jon Stewart Recap the Democratic National Convention: ‘What a Night for Kamala Harris’

Watch Jon Stewart Recap the Democratic National Convention: ‘What a Night for Kamala Harris’

Kamala Harris accepted the Democrats’ nomination for president last night at the Democratic National Convention in Chicago, but not without some commentary from Republican nominee Donald Trump. Jon Stewart had some thoughts about all of it as he broadcast The Daily Show live from the DNC, ultimately concluding that Trump has “morphed into a poor man’s cat turd.”

During the episode, Stewart started off by addressing the disappointment from fans that Beyoncé didn’t show at the convention. Joking that there would be a special guest, he showed a clip of Michigan rep Elissa Slotkin at the DNC. “You thought it was Beyoncé because everyone thought that it was going to be Beyoncé coming out there, but it was Slotkin all along,” Steward confirmed. “Everybody knew.”

Keep ReadingShow less