A new Linkin Park documentary directed by the band’s Joe Hahn, Unshatter, will trace the band’s return to the stage following the death of singer Chester Bennington in 2017. The film, whose logline is “The Hardest Part of Ending is Starting Again,” will open in theaters on Sept. 30. Tickets go on sale Aug. 13 with full details on a bespoke website.
A trailer shows the excitement of fans in and around the band’s 2024 gig in São Paulo, Brazil and features interviews with band members. “It’s certainly never been done the way we did it,” the group’s Mike Shinoda says in one clip before addressing Bennington’s death. “So much of our lives had gone into Linkin Park, and it all just came to a crashing halt.” The musicians express worries that the band was done. And then new vocalist Emily Armstrong comes into the picture, leading to triumphant concert footage.
The film covers a span of time beginning with the 2022 recording sessions that yielded their eighth studio album two years later, From Zero, which features Armstrong and drummer Colin Brittain, to the São Paulo show. The documentary also includes footage from the band’s vault, performance footage, and interviews with the band and its fans.
A co-founding member of the band, Hahn has played synthesizer and turntables in the band since 1996. He has also directed the band’s music videos for “Numb,” “Somewhere I Belong,” and “Bleed It Out,” among several others. In a statement, he explained that Unshatter, whose title suggests that something broken could be put back together, wasn’t intended originally as a documentary but as a concert film capturing their 2024 São Paulo show. He sees it now as a thank you to Linkin Park’s fans.
“The more we kept the cameras rolling, the more we realized there was a much bigger story unfolding,” Hahn said. “After seven years away, we honestly didn’t know what the future of Linkin Park looked like. We were figuring it out as we went. None of us knew if the band would evolve the way it did, how fans would respond, or where any of it was leading. I didn’t want to make a film that looked back on everything with perfect clarity. I wanted people to experience that uncertainty the same way we did in real time.”
Hahn added that because he’s a Linkin Park member and had lived the story “from the inside,” he felt a responsibility to be honest. “It would have been easy to tell the version people expected or the version built from headlines and interviews, but that was never the goal,” he said. “I wanted to capture the conversations, the doubts, the creative moments, and everything in between that only the people living through it could really understand.”
An album, Unshatter Film Soundtrack (Live in São Paulo), out Sept. 25, includes performances of songs from throughout the band’s career. It will also include songs from the concert that Hahn did not feature in the film.
After a hiatus following Bennington’s death, Linkin Park released “The Emptiness Machine,” their first song featuring Armstrong and Brittain, in 2024. They swiftly followed it with “Heavy Is the Crown” and the album From Zero. Their most recent single, “Unshatter,” came out last year as part of the deluxe edition of From Zero.
Taylor Swift and Bad Bunny in a split image
Taylor Swift and Bad Bunny Dealt With Trump Quietly. It’s a Smart Move
Taylor Swift and Bad Bunny are both major superstars — and they’ve shared some parallels in their careers and discographies for several years. Now, they’re even using the same playbook to deal with taunts and baiting from Donald Trump and the White House’s social media teams.
Since Trump took office during his second term, he and his administration have been using social media as part of their communication strategy. The propaganda-like, rage-bait-style clips often lean into internet culture and use popular music to make light of Trump’s most egregious actions, like his immigration policy and war-hungry foreign policy.
Olivia Rodrigo, Katy Perry, Ariana Grande, and Noah Kahan are just some of the artists who have had their music used in these videos without their permission — and vehemently spoken out against these actions and against the president. In the past couple of weeks, the Trump administration seems to have wanted to provoke a response from two of the world’s biggest superstars: Bad Bunny and Swift.
On July 30, the official White House TikTok used “La Mudanza” for a particularly tone-deaf video about immigration that celebrated the number of deportations under Trump. A week later, a video with text that said, “mood because it’s August and Donald Trump is your president” set to Swift’s “August” was uploaded by Team Trump, the president’s official campaign account. The caption was an overt provocation: “I’m sure Taylor Swift is going to be super excited we used her song,” it read. Days later, another clip from the same account featured an edited version of Swift’s Red album cover with text that said, “Did you know that Taylor Swift wrote a whole album about the color of the Republican Party?”
Neither musician has released a public statement denouncing the use of their music in Trump’s videos. Instead, two of the world’s biggest superstars quietly removed their songs from videos posted by official accounts linked to the Trump administration. (It’s unclear if there is a TikTok feature that allows selective sound muting on videos or if the respective teams reached out to the social media accounts directly.) The tracks are still available for other TikTok accounts to use in their videos, making their silence a pointed — and smart — approach. Both Bad Bunny and Swift seem to recognize the president and his administration’s tactics for what they are: antagonizing moves that keep the Trump conversation centered on his social media presence, rather than his actual policies and the harm they commit. Why would they add their star power to the conversation and stoke the flames when that’s exactly what the White House appears to want?
Some people argue that celebrities should wield their platform to denounce Trump at any chance if they are truly not politically aligned with his MAGA politics. But because they hold so much influence, these superstars need to be strategic about how they use it.
Benito, in particular, has been incredibly outspoken about his politics. He stood on two of the world’s biggest stages and used them to voice pro-immigration messages, denounce Trump’s policies, and highlight Puerto Rico as it struggles with the effects of U.S. imperialism. “Before I say, ‘Thank God,’ I’m going to say, ‘ICE out,’” the Puerto Rican superstar said at the 2026 Grammys. “We’re not savage. We’re not animals. We’re not aliens. We are humans and we are Americans.” Last summer, Bad Bunny’s music video for “Nuevayol” used a voice that sounds a lot like the president’s to deliver a pro-immigrant message. “I made a mistake. I want to apologize to the immigrants in America. I mean the United States. I know America is the whole continent,” the voice bellows out of a Seventies radio toward the end of the video. “I want to say that this country is nothing without the immigrants.”
Fans were convinced that Benito would speak out against the official White House TikTok account when it used one of his most political songs. But commenting on the video would only blow up the discussion for a wider audience. When Rodrigo, Perry, Grande, and Kahan made public comments, spokespeople for the White House used the opportunity to spread hateful rhetoric. “We’ll say this one last time: what’s actually barbaric, inhumane, and heinous are the criminal illegal aliens who have injured and murdered innocent American citizens,” Abigail Jackson said in a statement to Rolling Stone after Grande spoke out. It’s the antithesis of what Benito said during his Grammys speech this year: “The only thing more powerful than hate is love.”
Swift, on the other hand, has dealt with Trump and the right-wing’s instigations for years, each one crazier than the last. The TikTok videos from the last week aren’t even the first time that the administration has used the singer’s music for social media videos. Last fall, both the official White House TikTok account and Team Trump used songs from Swift’s then-newly released The Life of a Showgirl in separate videos. One plucked the lyrics “pledge allegiance to your hands, your team, your vibes” from “The Fate of Ophelia” to celebrate Trump, Vice President JD Vance, and the first and second ladies. The others boasted about Trump by using “Father Figure” and honored Melania Trump’s Patriot of the Year award with “Opalite.” As of Aug. 10, the audio is not available under all of these specific videos.
The pop superstar has not spoken publicly about these instances. But she has made her disdain for Trump clear. Over the years, Swift has criticized Trump’s autocratic leadership. On X, she wrote “we will vote you out” and endorsed Joe Biden and Kamala Harris in the 2020 and 2024 elections, respectively. In 2019, Swift told Rolling Stone, “There’s literally nothing worse than white supremacy. It’s repulsive. There should be no place for it.”
Even though she’s shared her liberal viewpoints on issues like abortion, LGBTQ+ rights, and racial inequality, Swift has still faced ridiculous claims of being MAGA-aligned and folding in right-wing dog whistles to her music — and that’s without ever naming Trump. If Swift were to make a statement about her music being used by the Trump administration, the attention-seeking president would absolutely revel in it. Getting Swift and Bad Bunny to weigh in is exactly the type of headline grabber he would love to draw attention from his remarkably unpopular presidency.