Skip to content
Search

Gloria Trevi Sex Abuse Lawsuits: Search for Music Producer Sergio Andrade Intensifies

Gloria Trevi Sex Abuse Lawsuits: Search for Music Producer Sergio Andrade Intensifies

The hunt for Mexican pop star Gloria Trevi’s former manager Sergio Andrade Sanchez has intensified after he “seemingly disappeared” in what authorities believe is either Mexico or Spain. A Los Angeles County judge ruled Wednesday that the first two Jane Doe plaintiffs to sue Trevi and Andrade with claims of childhood sex abuse in California can invoke an international treaty to help track him down.

Andrade – a once-powerful producer previously convicted of rape and kidnapping in Mexico – has kept a low profile since the Jane Does first filed their lawsuit in December 2022. The complaint, filed under the California Child Victims Act, alleges Trevi, Andrade and singer-actress Mary Boquitas lured the Doe plaintiffs into a globetrotting music group when they were 13 and 15 years old and then subjected them to sexual abuse in the early Nineties during trips to California.


“It’s clear the parties are making substantial efforts to locate and serve Mr. Andrade Sanchez, who may be in Mexico or may be in Spain. He mysteriously appeared in some medical facility in Madrid and then seemingly disappeared after that,” Judge Jared Moses said during the morning hearing in Pasadena, Calif., where he granted the plaintiffs’ request for more time to complete service of their complaint. In his order, the judge directed the court clerk to help the plaintiffs reach out to Mexico’s Ministry of Foreign Affairs under the Hague Convention and have Mexican authorities serve Andrade at his registered business. (The business, called Excis S.A. de C.V., is listed online as Andrade’s publishing entity. It was reactivated in 2018, according to court filings, and has an address north of Mexico City in the Mexican state of Hidalgo.)

“I’m hoping we can find Mr. Andrade as soon as possible,” Boquitas, whose legal name is María Raquenel Portillo Jimenez, said during the hearing Wednesday. Boquitas is representing herself in the case and appeared by video. A lawyer for Trevi had no objection to the Jane Does serving Andrade abroad.

Trevi, 56, denies abusing the Jane Doe plaintiffs and filed a cross-complaint in the case that alleges Andrade sexually abused her too. She says the two Jane Does knew she was a victim herself and therefore should be held liable for either aiding and abetting the alleged abuse or engaging in a cover-up. Trevi alleges she was repeatedly and brutally raped by Andrade and that the mental, sexual, and physical abuse she suffered eventually drove her to attempt suicide.

“There were many other women and girls that Andrade controlled and abused over the years, but Ms. Trevi was his true star — and, thus, the girl he most needed and wanted to dominate and control,” her lawsuit states. “Instead of living the lifestyle of the rich and famous that one might expect of the ‘Mexican Madonna,’ Ms. Trevi, in private, was often dressed in old rags, sometimes forced to sleep naked for days on a cold bathroom floor.” The cross-complaint alleges Trevi was subjected to “sadistic punishments,” starved, and “brutally beaten” to the point she sometimes passed out.

Two days after Trevi filed her cross-complaint, a new pair of Jane Doe plaintiffs sued her in Los Angeles with separate allegations the pop star recruited them into Andrade’s orbit and pressured them to submit to sex or face repercussions. One of the women, identified as Jane Doe 3, alleges that Trevi told her that if she spurned Andrade’s advances, her older sister, an aspiring performer, would be expelled from the group with her career “ruined.”

In one passage, Jane Doe 3 alleges that in 1995, when she was over the age of 18 but still a virgin, Trevi led her to Andrade’s bedroom, “pushed” her through the door, and waited outside while she was raped. After the alleged assault, Trevi thanked her, she claims. “You just saved your sister, you will not regret it. [Andrade] is a wonderful man, and he is the person that I love the most,” Trevi allegedly said, according to the complaint.

The new pair of Jane Does also are seeking to serve Andrade internationally. The next hearing in their related case is set for July 19.

Trevi spent four years in pre-trial detention after her arrest in Rio alongside Andrade in 2000. She was ultimately acquitted when a judge said there was insufficient evidence to support the rape, kidnapping and corruption of minors charges filed against her by Mexican prosecutors.

More Stories

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’
Thea Traff

Florence Welch: ‘Anxiety is the Hum of My Life — Until I Step Onstage’

If you talk to Florence Welch on any given day, it’s safe to assume she’s feeling a little anxious. “Anxiety is the constant hum of my life,” she says. “Then I step out onstage, and it goes away.”

Luckily, that’s where she is right now: draped in a long white dress, sitting comfortably in front of a 150-person audience at New York’s beautiful Cherry Lane Theatre, a storied downtown venue known as the birthplace of off-Broadway theater. It’s a week before the release of Everybody Scream, the excellent sixth album she made with her band, Florence + the Machine, and Welch is here for the first-ever live edition of the Rolling Stone Interview, the magazine’s long-running deep-dive conversation series. (The interview is also the first-ever video podcast version of the franchise — check it out on Rolling Stone’s YouTube channel and wherever you get your podcasts.)

Keep ReadingShow less
Prevost: the Québec company behind the biggest tours
Photo via Prevost

Prevost: the Québec company behind the biggest tours

If you’ve ever wandered backstage at a festival or through the private parking lot of an arena during a concert, you’ve probably noticed something: a long row of tour buses. And if you looked closely, you may have seen the same name on every single one: Prevost.

The story of these coaches, like that of nearly every tour bus in North America, doesn’t begin in Los Angeles but just outside Québec City.

Keep ReadingShow less
Rolling Stone Québec Future of Music 2025
Drowster

Rolling Stone Québec Future of Music 2025

Alexandra Stréliski

We could list a lot of impressive figures to showcase Alexandra Stréliski’s success: 600 million streams, 100,000 concert tickets sold, 10 Félix awards, 2 Polaris nominations, 1 Juno…

Drowster

Keep ReadingShow less
Dominique Fils-Aimé Follows Her Heart and Own Rules

Kaftan: Rick Owens/Jewelry: Personal Collection & So Stylé

Photos by SACHA COHEN, assisted by JEREMY BOBROW. Styling by LEBAN OSMANI, assisted by BINTA and BERNIE GRACIEUSE. Hair by VERLINE SIVERNÉ. Makeup by CLAUDINE JOURDAIN. Produced by MALIK HINDS and MARIE-LISE ROUSSEAU

Dominique Fils-Aimé Follows Her Heart and Own Rules

You know that little inner voice whispering in your ear to be cautious about this, or to give more weight to that? Dominique Fils-Aimé always listens to it — especially when people push her to go against her gut instinct. The jazz artist doesn’t care for conventions or received wisdom. She treats every seed life drops along her path as an opportunity to follow her instincts. To go her own way. To listen to her heart. And it pays off.

The Montreal singer-songwriter tends to question everything we take for granted. Case in point: applause between songs at her shows. Anyone who’s seen her live knows she asks audiences to wait until the end of the performance to clap, so as not to break the spell she creates each time.

Keep ReadingShow less
Pierre Lapointe, Grand duke of broken souls

Cotton two-piece by Marni, SSENSE.com / Shirt from personal collection

Photographer Guillaume Boucher / Stylist Florence O. Durand / HMUA: Raphaël Gagnon / Producers: Malik Hinds & Billy Eff / Studio: Allô Studio

Pierre Lapointe, Grand duke of broken souls

Many years ago, while studying theatrical performance at Cégep de Saint-Hyacinthe, Pierre Lapointe was given a peculiar exercise by his teacher. The students were asked to walk from one end of the classroom to the other while observing their peers. Based solely on their gait, posture, and gaze, they had to assign each other certain qualities, a character, or even a profession.

Lapointe remembers being told that there was something princely about him. That was not exactly the term that this young, queer student, freshly emancipated from the Outaouais region and marked by a childhood tinged with near-chronic sadness, would have instinctively chosen for himself. Though he had been unaware of his own regal qualities, he has spent more than 20 years trying to shed this image, one he admits he may have subtly cultivated in his early days.

Keep ReadingShow less