Skip to content
Search

Mitski Will Channel ‘Grey Gardens’ and ‘Hill House’ on Her Next Album, ‘Nothing’s About to Happen to Me’

The first single, the anxiety-inducing "Where's My Phone?," is out now with a video drawing on a horror classic

Mitski Will Channel ‘Grey Gardens’ and ‘Hill House’ on Her Next Album, ‘Nothing’s About to Happen to Me’
Lexie Alley

Mitski is teasing the release of her eighth studio album, Nothing’s About to Happen to Me, with a mysterious phone number and website. When you ring the Pecos, Texas-based line, you won’t find any musical snippets — just Mitski reading a quote from Shirley Jackson’s chilling 1959 horror classic, The Haunting of Hill House. “No live organism can continue for long to exist sanely under conditions of absolute reality,” she says. “Even larks and katydids are supposed, by some, to dream.”

That phantasmagoric quote sets the tone of Mitski’s next record, which is out Feb. 27 via Dead Oceans. It’s a “rich narrative whose main character is a reclusive woman in an unkempt house. Outside of her home, she is a deviant; inside of her home, she is free,” according to the press release, which is purposely scant on the details — although the phone website features texts that reference white cats, pies, and Grey Gardens, the iconic documentary about a mother and daughter named Edie and their reclusive, glamorously decaying life.


Instead of laying out her vision in too many words, the musician welcomes us into her world with the first single and accompanying video, “Where’s My Phone?” It’s based on another mind-bending novel by Jackson, 1962’s We Have Always Lived in the Castle. The anxiety-inducing visual, directed by Noel Paul, sees Mitski stepping into Jackson’s world, in which two sisters retreat from public life after one of them is accused of poisoning the rest of the family.

When a man enters the picture, that isolation comes under threat and all hell breaks loose — imagery that matches the jittery, unnerving track, in which Mitski repeatedly asks, “Where did it go/Where’s my phone/Where’s my phone,” yearning for her mind to be “like a clear glass.” It’s a tone similar to that of her previous album, 2023’s The Land Is Inhospitable and So Are We, which echoed with rural loneliness — there’s just a distinct frenzy to the music now.

Produced and engineered by her longtime collaborator Patrick Hyland and mastered by Bob Weston, the album was written and performed by Mitski, along with her touring band.

More Stories

Green Day to Play Super Bowl Opening Ceremony Celebrating 60th Anniversary of NFL’s Big Game
Leon Bennett/Getty Images

Green Day to Play Super Bowl Opening Ceremony Celebrating 60th Anniversary of NFL’s Big Game

This year’s Super Bowl in Santa Clara, California has added some Bay Area flavor as Green Day will perform at the big game’s opening ceremony on February 8.

The NFL announced that the East Bay punk trio will take the stage at Levi’s Stadium for a performance that celebrates the championship game’s history, with past Super Bowl MVPs walking the field as Green Day play a medley of hits.

Keep ReadingShow less
PUP and Jimmy Eat World to take over RBC Amphitheater in August
Photo via Facebook

PUP and Jimmy Eat World to take over RBC Amphitheater in August

As seemingly everyone in the world is caught up in the trend of sharing their selfies from 2016, Toronto pop-punk legends PUP are gearing up for the celebration of their 2016 classic The Dream is Over.

Recorded with Dave Schiffman in Toronto, the record came about after singer Stefan Babcock was diagnosed with vocal cord problems and was told by his doctor that he would no longer be able to perform as a vocalist. (Obviously, she was wrong.)

Keep ReadingShow less
NOFX to Detail Chaotic History in New Documentary ’40 Years of F-ckin’ Up’
Jesse Fischer

NOFX to Detail Chaotic History in New Documentary ’40 Years of F-ckin’ Up’

NOFX are about to get inside your head — all over again. The punk band have announced the release of a feature length documentary, titled 40 Years of Fuckin’ Up, that will detail their storied history as drug-addled teen punks-turned-icons.

On Friday, founding member Fat Mike revealed that 40 Years of Fuckin’ Up is in post production while at The Punk Rock Museum’s NOFX exhibition. “Most people wouldn’t be OK with releasing a film that shows footage of getting whipped in their dungeon, or their drug use for the past 20 years, or dressing up like a rubber cheap whore, or the ambulance ride when they were naked while puking and shitting blood… I’m not like most people,” Fat Mike said in a statement.

Keep ReadingShow less
Bad Bunny Promises ‘The World Will Dance’ at His Super Bowl Performance
Kevin Mazur/Getty Images

Bad Bunny Promises ‘The World Will Dance’ at His Super Bowl Performance

Everyone on the planet may smell like stale Budweiser and crumbled Fritos while watching the Super Bowl, but Bad Bunny doesn’t care. In a new trailer for his halftime show performance, he’s making a promise: “The world will dance.”

The clip shows the artist wandering through a surrealistic neon landscape (it’s Puerto Rico, note the Flamboyant tree), until he pulls up his own song using Apple Music on his iPhone (ibid) to play “Baille Inovidable.” The cover art for the single is just a couple of lawn chairs with nobody in them in a similarly colorful landscape, but that’s neither here nor there because in this world, the world in which everybody will dance, dancers spin like tops out of the darkness one by one to shake Bad Bunny from his stoicism as soon as he cranks his own song on Apple Music. Soon, he’s dancing (and smiling), too.

Keep ReadingShow less
Julio Iglesias responds to abuse accusations
Harry Langdon/Getty Images

Julio Iglesias responds to abuse accusations

Julio Iglesias, the crooner who introduced Latin music to audiences around the world, is accused by two former employees of sexual misconduct, rape, and human trafficking.

The two women, who worked respectively as a physiotherapist and a domestic worker, allege that the abuse took place in 2021 over a ten-month period at Iglesias’ properties in the Bahamas and the Dominican Republic. According to their testimonies, the singer allegedly subjected them to “sexual harassment, regularly searched their mobile phones, restricted their ability to leave the home where they worked, and required them to work up to 16 hours a day without days off.”

Keep ReadingShow less