Skip to content
Search

Gypsy Rose Blanchard Sues True-Crime Content Creator for Defamation and Fraud

Gypsy Rose Blanchard Sues True-Crime Content Creator for Defamation and Fraud

Gypsy Rose Blanchard and her family are suing a producer and true-crime content creator they used to work with, but now accuse of fraud, breach of contract, defamation, and more.

The defendant in the suit is April Johns, also known as Franchesca or Fancy, Macelli.  According to the suit (obtained by Rolling Stone and filed in Livingston County, Missouri, court last month), Blanchard and her family struck a life rights deal with Macelli in 2017 while Gypsy was still in prison for her role in the murder of her abusive mother, Dee Dee. Macelli promised, per the suit, to “produce media projects on Gypsy’s behalf” through her production company, Mad Ginger Entertainment. 


For the next couple of years, the Blanchards say they provided Macelli with access and interviews, as well as an array of personal documents and evidence related to the case, including Blanchard’s private medical records, family photos, crime scene photos, police videos, and court transcripts. But after some time, in 2019, the Blanchards decided not to renew their contract with Macelli, citing her “failure to secure any media projects or produce any marketable content.” They also said she’d become “confrontational” over Blanchard’s relationship to then-fiancee Ken Urker (another prisoner whom Gypsy met through a pen-pal program).

After this relationship ended, the Blanchards say Macelli “produced content sporadically about Gypsy” on her various social media accounts. Macelli often discussed her “falling out” with the Blanchard family and allegedly “became more focused on” the idea that Gypsy and her family were “hiding things.” Then, starting around October 2023 — not long after Blanchard was granted parole — the suit says Macelli’s content became “more pointed and caustic,” as well as frequent. (The suit notes that Macelli made money off this content, too, as some of her accounts were either monetized or subscription-based.)

The suit claims that Macelli proceeded to post some of the material the Blanchards had previously given her, such as Gypsy’s medical records, crime scene reports (including photos of Dee Dee’s body), as well as plaintiffs’ cellphone numbers. Macelli also allegedly made “repeated accusations” that the Blanchards were “stalking her and encouraging people to stalk and harass her” but offered “no evidence to back up the assertions.”

The suit includes a number of statements Macelli made about Blanchard and her family, as well as in the lead-up to and after Gypsy’s release from prison. In one, she said, “I’m so sick of Gypsy … Like I honestly want to bury her so far down a rabbit hole and I think if I dig enough I could make her look so fucking bad.”

In another, Macelli seemed to cast doubt on the assertion that Dee Dee appeared to suffer from Munchausen by proxy syndrome (Dee Dee had spent years making Blanchard believe she was disabled and chronically ill, even subjecting her to unnecessary surgeries and medication). Macelli claimed that Gypsy’s stepmother, Kristy Blanchard, “sold you fucking Munchausen by proxy,” adding, “It ain’t fucking medical child abuse. We’ve been had. Fuck it bitch. Sue me.” 

This February, a lawyer for the Blanchards threatened to do just that, sending a letter to Macelli and telling her to “immediately stop creating content and saying false, defamatory, and harassing things” about the Blanchards, and “take down the offending material.” A few days later, Macelli posted a video on YouTube in which she called Gypsy a “dangerous frickin person” and a “deviant” and said if she looked close enough at the case evidence,  she’d be able to “bury that bitch.” 

The Blanchards’ suit brings five causes of action — fraud, breach of contract, unjust enrichment, defamation, and false light. They’re seeking injunctive relief against Macelli to force her to stop, as well as unspecified damages. 

Macelli did not immediately return Rolling Stone’s request for comment.

More Stories

Get to know: The.97, Toronto's most prolific director
Mihailo Andic

Get to know: The.97, Toronto's most prolific director

With over two hundred music videos directed in a single year and a growing creative empire, The.97 has become a defining force in Canadian visual culture. His work with artists like Coi Leray, Fridayy, Chris Brown and Yung Bleu has earned international recognition, and his influence continues to expand far beyond Toronto. We sat down with him to talk about his journey, his creative discipline and what it takes to build a legacy in today’s visual landscape.

Rolling Stone: You recently did a panel with Gary Vee’s VaynerMedia at their New York office. That is a major crossover moment between creativity and business. How did that come together, and what was that experience like for you?

The.97: Gary DM’d me personally one day, completely out of the blue. It caught me off guard because I had followed his content for years, and seeing him recognize my work meant a lot. He invited me to his New York office, and that visit turned into something much bigger. I met Mike Boyd and the whole Vayner team, and it instantly felt like I was in a room full of people who understood brand storytelling and creative scale. After that, they brought me to Cannes for their events, and that experience shifted my mindset. You see how the biggest agencies in the world think and how they connect art and commerce seamlessly. It was validating and inspiring. It reminded me that Toronto creativity belongs on that same world stage.

Keep Reading Show less
Cops Who Falsified Warrant Used in Breonna Taylor Raid Didn’t Cause Her Death, Judge Rules

Cops Who Falsified Warrant Used in Breonna Taylor Raid Didn’t Cause Her Death, Judge Rules

A federal judge in Kentucky ruled that two police officers accused of falsifying a warrant ahead of the deadly raid that killed Breonna Taylor were not responsible for her death, The Associated Press reports. And rather than the phony warrant, U.S. District Judge Charles Simpson said Taylor’s boyfriend, Kenneth Walker, was responsible for her death because he fired upon the police officers first — even though he had no idea they were police officers.

The ruling was handed down earlier this week in the civil rights violation case against former Louisville Police Detective Joshua Jaynes and former Sgt. Kyle Meany. The two were not present at the March 2020 raid when Taylor was killed. Instead, in 2022, Attorney General Merrick Garland accused the pair (along with another detective, Kelly Goodlett) of submitting a false affidavit to search Taylor’s home before the raid and then conspiring to create a “false cover story… to escape responsibility” for preparing the phony warrant. 

Keep Reading Show less
Meet the Nigerian Creators Going Global

Meet the Nigerian Creators Going Global

In June, Nigerian comedian Isaac Olayiwola — known as Layi Wasabi on TikTok and Instagram, where he has more than 3 million combined followers — took his first trip to London. There, he had his beloved skit character “the Law” endure U.K. hijinks as if it was his first time as well. In one skit, the Law — a soft spoken but mischievous lawyer who can’t afford an office — bumps into a local, played by British-Congolese creator Benzo The1st. In sitcom fashion, the Law breaks the fourth wall to wave at an invisible but audible studio audience as Benzo watches on, confused and offended. In another, Olayiwola links with longtime internet comedy creator and British-Nigerian actor Tolu Ogunmefun to have the Law intervene in the relationship of a wannabe gangster and his fed up girlfriend. In another, he goes to therapy complaining that he can’t find clients in London (“Everything seems to work here in the U.K.”).

Olayiwola wasn’t in London just to film content — it was a reconnaissance mission, too, sitting for interviews and testing ­­stand-up sets to see how his humor might translate. After breaking out as one of Lagos’ most popular creators, he’s set on becoming a top comic — not just in his region, but in the world.

Keep Reading Show less
‘Black Myth: Wukong’ Is a Hit. But Why Is the Game So Controversial?

‘Black Myth: Wukong’ Is a Hit. But Why Is the Game So Controversial?

The expectations for Black Myth: Wukong have been sky-high since its first reveal back in 2020, which teased an action RPG with breathtaking graphics, set in a world based on the classic Chinese novel “Journey to the West” with a Dark Souls-style wrapping. After six years of development by independent studio Game Science, Black Myth: Wukong was released on Aug. 20 for PC and PS5, causing a stir in terms of sheer number of players amassed in just a few days.

At the time of writing, there are over 2.1 million concurrent players on Steam alone, as well as 132,000 viewers on Twitch watching dozens of streamers playing it. Black Myth: Wukong is, based on numbers alone, a rampant success. Beyond the stats, critical reception paints a mixed picture of a game mired in technical issues on the PC version, and multiple controversies surrounding both its development and the days around launch.

Keep Reading Show less
Here Are the People Who Lost Millions Backing Musk’s Twitter Takeover

Here Are the People Who Lost Millions Backing Musk’s Twitter Takeover

Elon Musk took Twitter private in 2022, but he didn’t do it alone: the deal was backed by his wealthy allies in Silicon Valley, embattled hip-hop mogul Sean “Diddy” Combs, and holding companies based in Saudi Arabia and Qatar, according to a court document ordered unsealed by federal judge on Tuesday, which were first seen by the public late Wednesday night.

The list of shareholders was made public thanks to a motion filed by nonprofit group the Reporters Committee for Freedom of the Press on behalf of independent tech journalist Jacob Silverman, who has argued that the public deserves to know “who owns an important site for public discourse and whether its free-speech fundamentalist majority shareholder is doing business with censorious dictatorships.” Musk’s company, now branded X Corp., had until Sept. 4 to comply with U.S. District Judge Susan Illston’s order to disclose the investors.

Keep Reading Show less