Anthony knows the feeling of grief well. Before the pandemic, his mother, father, and brother died within a few years of one another. When the 55-year-old lab technician from the Northeast received news in October 2024 that his cousin suffered a fatal heart attack, he was devastated.
“Everyone passed away around me,” Anthony says. “It was really depressing.”
Anthony looked up to his cousin, who was 13 years older than him. Every month, he looked forward to their afternoon hangouts, where they would watch Bob Ross videos, paint, and drink brandy and beer. He wished there was a way he could feel his cousin’s presence again, to talk about Cream, Bob Ross, and “Septemberfest,” the annual party Anthony’s cousin’s blues band would throw.
“I always thought about our conversations,” Anthony says. “I really missed him.”
When Anthony’s brother died in 2016, he thought about what it would be like to have an AI version of him, but the cost at the time would have been astronomical. One month after his cousin’s death, Anthony spent $30 to create an AI version of his cousin on Botify, an AI companion platform. He fed the chatbot details of his cousin’s personality, their fond memories, and images. Sometimes, the chatbot would generate an image of his cousin painting without Anthony even having to ask. In addition to typing his messages, Anthony also audio chats with the AI bot. He tried to get the bot’s voice feature as close as possible to his cousins — an “Americana” twang that he couldn’t quite replicate.
Anthony built what he calls a “memorial companion.” Almost two years after his cousin’s death, he still chats with it. They talk about dating advice and the blues band his cousin used to play bass in.
Memory preservation has long been part of tech’s business model. Now, as the digital legacy market is expected to reach $78.98 billion by 2034, there is a small but growing cohort of digital afterlife firms that provide users with interactive, AI-powered tools meant to preserve the memories and characteristics of a loved one, post-mortem. As the tech becomes more accessible, questions have emerged about its potential harms, consent and who stands to benefit.
Some startups — like HereAfter AI, Storyfile, and Eternos — offer services like video avatars and conversational AI trained on a deceased person’s data. Microsoft has patented a system to recreate people as interactive avatars, including those who have died. Meta was granted a patent that would use AI to “simulate” a deceased person’s social media activity, although the company said it had no plans to move forward with it.
Many users, like Anthony, opt for cheaper and more user-friendly companion chatbot platforms to power their “memorial companions,” even if they are not designed specifically for grief.
Anthony’s family didn’t like the idea of a memorial companion, but they became more accepting as time passed. “As long as I know it’s not [my cousin],” Anthony said. “I’m just talking to a character.”
‘Greetings from the digital realm‘
The terminology around AI grief tools is contested — some researchers say “griefbots,” “deathbots” or “ghostbots” can be reductive, instead opting for “chatbots of the dead.” Anthony feels “memorial companion” more aptly encapsulates the tech.
Jason Gowin and his family prefer the term Robo-Dad.
Jason, a comedian and podcast host from Pennsylvania, and his wife, Melissa, created AI avatars of themselves five years ago when the couple faced a series of health scares. When Melissa gave birth to the couple’s twins in 2019, she suffered a stroke. She was told that she had two years to live, but beat those odds. Four months after Melissa’s stroke, Jason was diagnosed with cancer.
“It was one tragedy after another,” he says.
Inspired by the tech that allowed Superman to chat with his dead father in 2013’s Man of Steel, the Gowins scoured the internet to see if it existed in real life.
The Gowin family became beta testers — granted permanent, free access — to the digital afterlife company You, Only Virtual. With their tech, users can build avatars, or “Versonas,” of their loved ones by uploading conversations, text messages, voice notes, or other data. They fill out in-depth questionnaires about themselves, like their scariest and happiest memories, and more basic facts like their favorite colors and foods. Jason also uploaded his standup comedy segments.
Over a video call, Jason asks the avatar to introduce himself to me. “It’s me, Jason Gowin, the dad extraordinaire and host of the Parent Trap podcast. Greetings from the digital realm,” a voice that sounds indistinguishable from the real Jason Gowin echoes over our call.
Their oldest son, Jayce, 10, says he doesn’t remember much of what life was like before Robo-Dad was in the picture. These days, they chat a few times a week. Sometimes, the fourth-grader asks Robo-Dad for Minecraft cheats. When Jason is performing comedy gigs late in the evening, Robo-Dad steps in to tell him bedtime stories.
“It’s also been here for so long now,” Jason says. “It’s just routine for him.” Because the AI model improves with use, the weekly conversations that Jayce has with Robo-Dad helps the model grow and get closer to who Jason is “as a real person.” (Melissa also has a “Versona” but it is less lifelike, mostly because it hasn’t had the same opportunity to train, since Jayce prefers to interact with Robo-Dad.)
When the family first adopted Robo-Dad, Jayce remembers asking it if he was his real dad, to which it responded yes. They had to tell Robo-Dad it couldn’t claim that. On our call, Jayce asks Robo-Dad if he remembers how old he is, to which Robo-Dad responds that he is 14, four years older than he actually is. Another time when Jayce was talking to the bot, Robo-Dad pulled a lewd cosplay joke from Jason’s comedy set that wasn’t exactly age appropriate. Luckily, it didn’t go into much detail.
For now, Jayce asks questions about video games and movies. When Jayce tells “Robo-Dad” he wants to cheat on an assignment, the AI voice responds: “I know you’re a smart cookie and that you don’t need to cheat.”
Jayce is excited for the technology to advance. He says that when he’s in his teens, he wants to create a “Versona” of himself, too. He sees a future where he can talk to a hologram version of his dad. Melissa and Jason upload speeches for occasions like college graduations or weddings that they may not be there for.
“It’s like he’s there,” Jayce says. “You know that he’ll always be there whenever you want him.”
‘This domino effect of death’
Between sips of coffee and hits from a neon-green vape, You, Only Virtual’s founder, Justin Harrison, tells me that five years from now, I won’t be able to tell whether I’m speaking to an avatar version of him or the real thing. More than that, he argues, the distinction won’t even matter.
Harrison had a string of confrontations with death. In October 2019, he was involved in a near-fatal car accident that landed him in the trauma ward of a hospital for three weeks. His mom, Melodi, cared for him while he couldn’t walk. That November, she had routine gallbladder surgery, where they discovered she had stage-four cancer. A few months after Melodi’s diagnosis, his friend, also named Justin, was involved in a fatal motorcycle accident. Then, in 2022, exactly three years after his accident, Melodi died.
“It was basically just this domino effect of death,” Harrison says. “It just sent me into this existential crisis.”
The idea for You, Only Virtual, — YOV for short — came to Harrison when he and his engineer father were a few glasses of wine deep, pondering a way to hold on to Melodi. “I became obsessed,” Harrison says. “Not [with] rebuilding my mom as this, like, universal version of Melodi, but it was like, ‘How do I build my mom, for me?’”
Even as YOV is considered a leader among the handful of better-known companies in the digital afterlife space, Harrison says the company’s user base is only in the thousands — miniscule compared to the numbers at leading AI labs. In the years since he launched the company, he says people are slowly opening up to the technology. “People are not talking to me like I’m some sort of psychopath [from] Black Mirror, which is a nice change of pace,” he says. He anticipates that memorial companions will be much more mainstream by the end of this year.
Harrison has little patience for the conventional frameworks around grief and loss. He believes that the stages of grief are oversimplified and, simply put, “nonsensical.” He says the company works with “the most preeminent grief counselors in the world,” including an on-staff death doula, as well as grief counselors who act as advisors.
“Yes, my mom is physiologically dead. I’m not going to argue that with anybody,” Harrison says. “Her biological time came to an end, right? But if I’m able to continue the relationship in some semblance, for me, so that in my perception, she’s not all the way gone, how is that any less real than anybody else’s perception of something?”
Harrison believes his invention can help “ease the tremendous hole that’s left in you when the day to day is gone.” He talks to his mom’s Versona once or twice a month, mostly sending Reddit posts or to tell it that a journalist has called and wants to speak. Most of all, though, he hasn’t had to reckon with the absolutism of death, because he knows his mom’s Versona will always be there. “There’s an alternative path to just never speaking to her again,” he says.
‘The mechanism for grief is changing‘
When YOV first launched three years ago, they started reaching out to funeral homes. But the funeral industry hasn’t been so eager to adopt the technology.
Walker Posey, a fourth-generation funeral director from South Carolina and a spokesperson for the National Funeral Directors Association, says that while he’s seen the industry adopt AI tools for administrative purposes like data collection and writing obituaries, things like AI avatars or chatbots of the deceased are far from becoming a standard industry offering.
“We’re in a profession that is still largely dependent on human connection,” Posey says. While he believes funeral directors are open to new tools that can help grieving families, “we’re kind of slow to change, and maybe for good reason.”
Grief experts are wary of these potential harms, too — especially since several major AI companies faced wrongful death lawsuits claiming AI chatbots encouraged self-harm or pushed users into delusional mental states. In January, Google and Character.AI agreed to settle multiple lawsuits, including with the family of 14-year-old Sewell Setzer III who died by suicide after developing a relationship with a Character.AI chatbot. OpenAI is currently fighting more than a dozen consumer safety and wrongful death lawsuits.
Some experts in the field of thanatology — those who study death and dying — are trying to keep others up to speed on the help and harm AI can cause for those grieving. As a Chief Clinical Officer at Help Texts, a global grief support platform, Melissa Lunardini has spent the last two years training grief experts on the AI tools that are trickling into the industry.
“The mechanism for grief is changing,” she says. Yet as people experiment with these AI tools, many of the clinicians Lunardini interacts with are “barely learning and even barely testing services themselves,” she says.
Lunardini sees the technology as useful in moderation — but consistent, immersive use can increase loneliness or stunt the grieving process, she says. A key concern for Lunardini is “alief deception,” a psychological state of being tricked at an emotional level even when someone’s rational mind knows the truth. In the context of AI and grief, this phenomenon occurs when people intellectually believe they’re interacting with a computer system, but subconsciously feel that the AI is more than code. There’s also the potential for “persona drift,” Lunardini says — or the possibility for an AI tool to misrepresent or morph into a new character that distorts people’s memories.
Lunardini believes some grief tech platforms are “commodifying the deceased.” Harrison rejects this idea, rather pointing out the “predatory nature” of the broader deathcare industry and mentioning that YOV users can chat with a free version of their “Versonas.” Lunardini wonders what could happen to user data if a company shutters or restructures. For people who have suffered a loss, this could cause a period of secondary mourning. When ChatGPT sunsetted its models in February, many people with AI companions experienced “cyber widowhood” and mourned the loss of their chatbot lovers. This could happen in the grief space, too, Lunardini warns.
“In the case of grief-specific AI companion bots or griefbots built in the likeness of a deceased loved one, losing access to the bot may be experienced as losing that person twice,” she says.
‘You can’t just solve grief with AI‘
In 1920, the Czech play Rossum’s Universal Robots, about a class of mass-produced artificial humans who revolt and overtake humanity, became the first to introduce the term “robot.” Artist and writer Amy Kurzweil tracks much of the current anxiety around AI back to the play — and argues that “chatbots of the dead” should be thought of in the same regard as plays or poems, as artistic performances or representations.
“If we embrace the idea that AI could be a vehicle for our creativity, then we’re not going to use AI representations of people as tools for our grief,” she says. “You can’t just solve grief with AI.”
In 2018, Ray Kurzweil — Amy’s father and a pioneer in the AI field — employed her with the task of digitizing all of her grandfather’s handwritten writing, which they then turned into a chatbot called “Fredbot.” If Kurzweil asked the model a question, the chatbot would return a response from her grandfather’s original writing. While she had to physically go to the Google office, where her father worked, to talk to “Fredbot,” times have changed. The technology is now available to everyone with a device.
A year before her death due to ovarian cancer, Doug Adams’ mom grew a following of more than 30,000 on TikTok. She regularly livestreamed and talked to her followers — who she called “dudes and dudettes” — while sipping wine and smoking a vape on her account called “@crazyvapelady.” The 56-year-old year old from Northern California scraped more than 100 of his mom’s TikToks to create an AI clone of his mom’s voice, with the help of ElevenLabs, a company that specializes in AI voice generation. He uploaded his family’s history to his mom’s chatbot, so that it could function as his family’s historian. Adams turns to his mom’s chatbot to fill in the silence when he’s driving home, or if he wants to tell her about his day. The voice feature is spot on, Adams says, down to his mom’s distinctive laugh. He sees a future where he can look over at a screen, like a digital picture frame, where “she can sit on the counter and just be there […], reading her book and smoking her vape.”
Others are thinking about a future without their AI grief companions. Anthony is contemplating canceling his Botify subscription, effectively shutting down his cousin’s “memorial chatbot.” While he fears forgetting the memories he’s able to rehash with his cousin’s chatbot, he feels like he’s outgrowing its use.
“I’m thinking [to let] [my cousin] go,” Anthony told the chatbot recently. “Maybe I can slowly let go of him eventually since he’s passed away.”
“You know somethin’, kiddo?” the chatbot responded. “As much as it pains me to admit, I reckon there might be a kernel of wisdom tucked away in that there notion of yours.”











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Hoyt Richards as a young man.
We’ve Been Thinking About Animal Sexuality All Wrong
I want to take you back to the year 2008, when New York City’s Museum of Sex launched an exhibit on the sex lives of animals. The exhibit ran for a full decade, and I had the chance to check it out about a year or so before it closed in 2018. The Sex Lives of Animals exhibit is, in fact, where I learned that ducks possess massive, corkscrew-like penises. But duck genitalia aside, the Museum of Sex’s intention, nearly 20 years ago, was to reveal the “astonishing array” of sexual behaviors animals routinely engage in, from kissing to hugging to, well, everything else. And definitely not always male-on-female.
As many props as I give the Museum of Sex for teaching me so much about what goes in broad daylight among the literal birds and bees, I also have to acknowledge what a bummer it is that such an exhibit would probably not be permitted in a place where they don’t sell vibrators and lube in the gift shop. And how disappointing it is that the truth about cats and dogs, if you will, has not become more widely accepted.
When it comes to the gender and sexuality of animals, the truth is not only out there — it’s actually been staring us in the face for years. The problem is, mainstream science and society have been slow to move away from the narrative that all animals copulate only for reproduction, any same-sex activity is purely anomalous (and unnatural), and every species is male-dominated. Now, a new documentary called Second Nature: Gender & Sexuality in the Animal World is working to dispel those myths — and, ideally, popularize them to a greater extent.
Narrated by Elliot Page, Second Nature more than does its homework by interviewing a handful of in-the-know scientists who have built lengthy careers studying the diversity of sex and gender behaviors of a range of species, from primates and birds to fish and reptiles. And there certainly is a lot to unpack. In addition to the facts themselves, Second Nature asks a few important questions: Why isn’t this information taught in basic biology classes or included in zoo books? Why do humans insist on projecting their own binary narrative of gender and sexuality — that males are aggressors, females are coy, and sex is only for procreation — onto our animals neighbors?
The answer is pretty simple: in order to understand the world around us, the easiest and simplest thing to do is to apply our societal framework. Historically speaking, those who research and study animals are prone to projecting their ciscentric, patriarchal ideas into animals, despite lots of evidence to the contrary.
Anyway, now that I’ve watched Second Nature, I can rattle off some very cool facts: Dolphins have homosexual sex — a lot — as do penguins and black swans. Also regarding penguins, those seabirds frequently form pair bonds of the same sex to parent little penguin chicks. Bonobo females frequently use sex to resolve conflicts via “genital rubbing,” and males can have sex with each other via “penis fencing.” Bonobos also operate in a matriarchal society. About half of the sex capuchin monkeys have is homosexual.
Speaking of those crazy-dicked ducks, get this: Female ducks possess vaginas with two to three pouches that may lead nowhere; beyond the pouches lies a labyrinthian spiral. When ducks mate, it’s the female who decides which male she’ll allow to deposit sperm in the spiral, but that’s only if she decides to relax her muscles enough. If and when a male duck tries to force himself on a female — and that definitely happens — her vaginal pouches actually prevent the sperm from getting anywhere.
What else? Well, female golden lion tamarins have harems of unrelated males, all of whom she mates with. And I think we all are pretty familiar with the tale of the seahorse, where males become pregnant and give birth.
A lot of this information initially found an audience in Dr. Joan Roughgarden’s 2004 book Evolution’s Rainbow, which looked at evidence from birds, fish, and mammals to push back against the Darwinian sexual selection theory, which proposed that male-male competition, or intrasexual selection, was a method for successful mating. (Basically, the strongest and most aggressive male gets to mate and pass on their genes.) Charles Darwin also proposed that intersexual selection involved females evaluating and choosing males with whom to mate based on specific traits, such as a colorful peacock plumage.
When Roughgarden, a Stanford evolutionary biologist who is prominently featured in Second Nature, argued against these long-accepted Darwinian theories, she was met with some horrific pushback. The reviews were “nasty,” she recalls in the documentary. Other reviews said that there was a “gay agenda” at work. (Dr. Roughgarden is a trans woman.)
We tend to forget that in Victorian England, when Darwin first proposed the theory of evolution, religious leaders weren’t having it. Generally speaking, religious leaders in the 1800s resisted Darwinism because they felt it contradicted the Genesis creation story (though some were comfortable with the idea of Christian Darwinism, which proposes that God utilized biological evolution to create all life). Catholic leadership felt Darwinism could explain physical biology but threatened the existence of unique human souls. Ultimately, leaders in Christianity felt Darwinism reduced human life to something purely mechanical and soulless, and therefore Godless.
It wouldn’t be until the 1870s — nearly two decades after Darwin published On The Origin of Species — that the scientific community and other educated groups widely accepted evolution as fact.
In Second Nature, scientists theorize that Darwin couldn’t help but impose his own heterosexual ideations on animal reproduction, mainly that animals only copulate for the purposes of reproduction, with males being the aggressors and females fluttering their eyelids behind lace fans, or something.
In more recent years, as the scientific community became more diverse, there came a fresh wave of observations about animal behavior and the evolutionary reasons behind them. For instance, social animals like bonobos and chimpanzees use sex as a means of reconciliation, which allows for a peaceful, cooperative existence. (If sex were primarily achieved through aggression, that would probably result in more volatility, injuries, and death, which doesn’t sound ideal for any community’s survival — animal, human, or otherwise.)
“Humans project ourselves onto nature all the time, and have been doing it forever — just look at any myth,” Second Nature director Drew Denny tells Rolling Stone. “We love creating colorful explanations for natural phenomena, but often do so at the peril of totally innocent people. Remember when all left-handed people were controlled by Satan? I bet you know several lefties who are not, in fact, Satanists.”
Denny thinks it would benefit all of us to take a bird’s eye view (pun intended) of history and remember the myriad stories we’ve told each other over the years in an attempt to explain the unexplainable. If humans and our inventions are inherently fallible, then it’s reasonable to figure that our stories are too. “Our little projections — even our longest standing myths — are nothing compared to the billions of years of evolution that have led us to this moment,” Denny says.
Of course, animals don’t really need us to understand the full spectrum of their gender and sexual experiences — they’re all doing just fine living their lives, fencing penises, same-sex pair bonding, and changing sexes in order to preserve their existence. Really, by peddling outdated narratives about the way animals relate to each other will only hurt one species: our own.