Skip to content
Search

Chris Stapleton’s ‘Tennessee Whiskey’ Is First Country Song to Earn a Double Diamond

The song, penned by Dean Dillon and Linda Hargrove, was originally recorded by David Allan Coe in 1981.

Chris Stapleton’s ‘Tennessee Whiskey’ Is First Country Song to Earn a Double Diamond
Astrida Valigorsky/WireImage

Chris Stapleton’s inescapable rendition of “Tennessee Whiskey” has become the first country song to gain a double diamond certification from the Recording Industry Association of America (RIAA).

The organization announced the news on Monday, revealing that the track has sold more than 20 million units. Only two other songs have been recognized as double diamond including Bruno Mars’ 2010 hit track “Just The Way You Are” and 2018’s “Sunflower” by Swae Lee and Post Malone.


“Chris Stapleton’s undeniable vocal grit and storytelling have connected deeply — driving chart successes, earning major awards and most importantly, resonating with fans,” said Mitch Glazier, RIAA CEO, in a statement. “RIAA is proud to celebrate him alongside MCA as ‘Tennessee Whiskey’ today makes history, becoming the first country single ever to earn a Double Diamond certification with 20 million units in the U.S. alone. It’s a remarkable achievement and another defining moment in Stapleton’s career.”

The song traces its roots to 1980 at the Bluebird Cafe, where Dean Dillon and Linda Hargrove met and that same night penned “Tennessee Whiskey” in about an hour. The song would soon find its way to country singer David Allan Coe, who saw it become a modest country hit in 1981, and a few years later, to George Jones, whose more produced version reached Number Two on the Hot Country Singles chart.

Yet it was Stapleton’s intoxicating resurrection, which borrows the melody from Etta James’ 1967 song “I’d Rather Go Blind,” that has cemented “Tennessee Whiskey” as one of the greatest songs of the 21st century. His 2015 performance at the CMA Awards with his wife, Morgane, and Justin Timberlake was a landmark moment for Stapleton and the song, catapulting it back onto the charts, reaching Number One this time around.

The song has since been covered by numerous artists including T-Pain and Carín Leon. When previously asked by Rolling Stone what about the track transcends the confines of genres, Stapleton replied, “I don’t pretend to know how to explain magic or how to use it.”

More Stories

Sombr Reflects on an Improbable Relationship in Expressive Single ‘Potential’
Youtube

Sombr Reflects on an Improbable Relationship in Expressive Single ‘Potential’

Sombr released a new single, “Potential,” alongside a cinematic video for the track. The evocative song was written by Sombr, who teased it last weekend at Coachella.

The video, directed by Gus Black and co-starring Madeline Argy and Gavin Casalegno, sees Sombr performing the track while during by dancing ballerinas. The performance is intercut with clips of a Bonnie and Clyde-like storyline of a series of heists.

Keep ReadingShow less
Tyla and Zara Larsson Channel Britney Spears in New Song ‘She Did It Again’

Zara Larsson and Tyla

Halimotu Shokunbi and Setor Tsikudo*

Tyla and Zara Larsson Channel Britney Spears in New Song ‘She Did It Again’

Tyla and labelmate Zara Larsson are bringing the Y2K nostalgia in their new collab, “She Did It Again.”

The track blends R&B with pop elements and pays homage to one of the greatest pop stars of the 21st century, Britney Spears herself. The duo trade verses on the lead single from Tyla’s upcoming sophomore album, A-Pop. “I’m addictive, baby, what you want me to do?/Not a quick fix, one hit might ruin you,” warns Tyla before Larsson drops the throwback line over the beat: “Put a man on his knees, not trying to tease/Oops, did it again like Britney.”

Keep ReadingShow less
Tokischa Had to Go to Hell and Back to Make Her New Album
Tokischa Had to Go to Hell and Back to Make Her New Album
Tokischa Had to Go to Hell and Back to Make Her New Album

Tokischa Had to Go to Hell and Back to Make Her New Album

t’s Wednesday night at the Box, the notorious erotic club in downtown New York, and Tokischa is stripping off her lingerie onstage. She cheekily steps behind a white, backlit curtain so that the crowd can only see the shadow of her body as she dances sensually. The room of devoted fans roar at each gyration.

A few moments later, Tokischa sports a skirt and cropped T-shirt as she lies face down and claws at the stage in painful desperation, channeling the heartbreak that overflows on her new album, Amor & Droga. She’s delivering this dramatic performance for an album listening event, and each theatrical move speaks to the duality at the heart of Latin music’s favorite provocateur.

Keep ReadingShow less
Singer D4vd Arrested for Murder of Celeste Rivas Hernandez After Body Found in Tesla
D4vd on March 9, 2025 in Paris, France.Antoine Flament/Getty Images

Singer D4vd Arrested for Murder of Celeste Rivas Hernandez After Body Found in Tesla

Platinum-selling artist D4vd was arrested Thursday on suspicion of murdering 14-year-old Celeste Rivas Hernandez, seven months after Los Angeles police found the teen’s dismembered and severely decomposed body in the trunk of his impounded Tesla.

Sources at the singer’s Hollywood Hills home told Rolling Stone that D4vd, born David Anthony Burke, was “completely cooperative” when he was taken into custody. Separately, law enforcement sources said detectives had obtained a probable-cause warrant and arrested Burke shortly after 4:30 p.m.

The California Post obtained video showing heavily armed LAPD officers leading Burke away with his hands behind his back. He was still being booked when police announced his arrest on social media.

Keep ReadingShow less
Everything to Know About the Live Nation Verdict, What It Means for Fans, and What’s Next
The verdict in the Live Nation antitrust trial could reshape the concert business, but it might take years.Stephen J. Cohen/Getty Images

Everything to Know About the Live Nation Verdict, What It Means for Fans, and What’s Next

Big changes could be coming to the concert and live entertainment industry. On Wednesday, a jury found Live Nation and Ticketmaster liable for operating as a monopoly, marking one of the most significant antitrust decisions in recent memory.

Originally sued by the Department of Justice in 2024 (with nearly 40 states, plus Washington D.C., signing on as co-plaintiffs at the time), Live Nation was accused of exerting outsized influence over the live entertainment industry thanks to dominant positions in ticketing, promotions, and venues. For instance, the jury heard testimony that Live Nation threatened to withhold lucrative concerts from large venues that did not sign exclusive deals with Ticketmaster; and that artists who wanted to play Live Nation-owned amphitheaters also had to use the company as a promoter.

Keep ReadingShow less