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Stephen Colbert Uses Copyrighted ‘Peanuts’ Music During Finale: ‘I Hope This Doesn’t Cost CBS Any Money!’

The host aired the classic Vince Guaraldi song during a segment, a move that he said could result in a lawsuit

Stephen Colbert Uses Copyrighted ‘Peanuts’ Music During Finale: ‘I Hope This Doesn’t Cost CBS Any Money!’

Stephen Colbert on finale for ‘The Late Show With Stephen Colbert’

Screenshot, CBS

During the final episode of The Late Show, host Stephen Colbert purposely used copyrighted music during a segment, a move that could potentially cost his former bosses at CBS a lot of dough if the music was unauthorized, and the usage were to end in a lawsuit.

Peanuts is a powerful brand and corporation in and of itself. Anyone illegally using that music is going to have to pay through the nose,” he said, before addressing his band leader, Louis Cato. “Louis, Louis! Is the band right now playing the same Peanuts music I just said people were being sued for, for using without permission? Is that what you’re doing?” The band was indeed launching into the familiar Vince Guaraldi song. “Oh no, I hope this doesn’t cost CBS any money!” Colbert said.


The Late Show was canceled in July 2025 after CBS and its parent company Paramount settled a $16 million lawsuit with President Donald Trump. CBS cited the cancellation was a “purely a financial decision.” However, many speculated that Paramount killed the show to curry favor with Trump — Colbert has been a vocal critic — and the FCC to help secure the merger between Paramount and Skydance.

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Spotify-Universal Deal Suggests Labels Think AI Music’s Future Is Letting You Play With Their Catalog

Spotify and Universal are teaming up to let you use AI to morph famous songs

Cheng Xin/Getty Images; Omar Marques/SOPA Images/LightRocket/Getty Images

Spotify-Universal Deal Suggests Labels Think AI Music’s Future Is Letting You Play With Their Catalog

It’s becoming increasingly clear that major labels are dealing with AI-generated music’s rise by embracing and monetizing it, letting fans use carefully controlled versions of the technology to create variations on songs the labels control. In the process, they hope, they’ll generate more royalties. The latest evidence is a just-announced high-profile new deal between the world’s largest record company, Universal Music Group, and Spotify to “launch a new tool allowing fans to create covers and remixes of their favorite songs from participating artists and songwriters.”

The strategy, which would essentially turn artists’ work into a kind of digital Play-Doh, first became clear late last year, when Universal and Warner Music each settled lawsuits with the AI service Udio and struck deals to create a subscription service with the same kind of song-morphing capabilities. The Spotify deal extends that template onto the most popular streaming platform, and as with the prior announcements, Universal suggested that artists will be able to decide whether to allow their songs to be part of it.

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BTS Announce Global Live Screening of ‘Arirang’ World Tour’s Homecoming Show

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BTSArirang world tour will come to the big screen for one-night-only with a live screening of their homecoming Busan, South Korea gig.

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Jack Antonoff Just Wants to Talk
Photographs by CHRISTAAN FELBER

Jack Antonoff Just Wants to Talk

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‘Michael Jackson: The Verdict’ Doc to Pick Up ‘Michael’ Story With Sex Abuse Trial

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Michael Jackson’s story ends in 1988 in the biopic, Michael, the box-office hit that once again is the Number One movie in the United States. Now a new, three-part Netflix docuseries will continue the story of the King of Pop.

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‘Dangerous Woman’ Put the Future of Pop in Ariana Grande’s Hands

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‘Dangerous Woman’ Put the Future of Pop in Ariana Grande’s Hands

Ariana Grande could never have become the kind of era-defining pop star we know her to be if she’d been timid or precious about her feelings. This is the artist who earnestly sang “This situationship has to end” on Eternal Sunshine while addressing the dissolution of her marriage. She’s the same one who casually delivered the lyric “Look at you, boy, I invented you” on Thank U, Next, which she recorded after breaking off an engagement with someone whose name is a song title on Sweetener. The same one who released Positions.

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