Skip to content
Search

Nicki Minaj’s MAGA Posting Spree Boosted by Bots, New Report Claims

The disinformation company Cyabra alleged that at least 33 percent of the profiles engaging with Minaj’s political posts last fall were likely fake

Nicki Minaj’s MAGA Posting Spree Boosted by Bots, New Report Claims

Nicki Minaj’s MAGA turn has been partly fueled by an army of bot accounts on X, according to a new report shared with Politico.

Put together by the disinformation company Cyabra, the report analyzed engagement tied to 51 “political-related posts” on Minaj’s X account between Nov. 11 and Dec. 22, just as the rapper was cementing her new place as a right-wing darling. Of the more than 55,000 profiles interacting with these posts, Cyabra found at least 33 percent (nearly 19,000) were likely fake. The established benchmarks for fake accounts present in “organic social media discourse” typically ranges between seven and 10 percent, the report noted.


“Based on the scale, concentration, and behavioral alignment of the inauthentic activity identified,” the report reads, “Cyabra assesses with high confidence that a coordinated fake campaign was actively amplifying political content” on Minaj’s X account.” (The person who commissioned the report from Cyabra was not identified for fear of public retaliation.)

One of the big indicators of inauthenticity Cyabra cited was a “linguistic and stylistic uniformity” among the allegedly fake accounts. When Minaj was being criticized, the report found that allegedly fake accounts responded with support that used “highly similar language and messaging.”

While some shared “longer, more detailed comments designed to appear organic,” the report described many posts as “brief, repetitive, and low in semantic complexity.” These were meant to “shape the overall tone of the discussion through scale rather than persuasion,” the report claimed. (Though perhaps unsurprisingly, the report found that toxic content tied to Minaj’s posts enjoyed “enjoyed “substantially stronger amplification.”)

These allegedly fake profiles, the report added, were often posting alongside authentic users and “adopting engagement rhythms that closely mirrored organic behavior.” Such patterns, the report continued, suggested “a deliberate attempt to integrate into genuine conversations, increasing the credibility and visibility of the amplified content.”

Cyabra’s report also found some overlap between accounts boosting Minaj’s posts, and those amplifying content from Turning Point USA, the right-wing group founded by Charlie Kirk.

Speaking with Politico, Cyabra’s CEO and founder, Dan Brahmy, said, “We don’t really see a lot of high volume, high impact orchestration of bad and fake actors within that intersection of the geopolitically driven and music culture. It is scarce in our field to see the combination of the bad and the fake online world with the entertainment world.”

Similarly, Cyabra found that Minaj’s posts and talking points were being amplified by plenty of authentic accounts, including popular conservative influencers like Dom Lucre and Matt Wallace. Not only were these figures echoing some of Minaj’s political content, they also began sharing some of her music industry grievances, with posts attacking Kendrick Lamar and Universal Music Group CEO Lucian Grainge.

Cyabra’s CEO and founder, Dan Brahmy said this suggested some kind of strategic coordination, saying, “Real human beings are behaving the exact same way, utilizing the exact same behavioral patterns, as you would expect from a well coordinated campaign. They amplify each other. They are riding the same, similar wave of narrative.”

Lucre rebuffed the suggestion, attacking the Politico piece on social media. “Nicki Minaj is now pulling so many liberals to the right that they now have to push out a theory that these aren’t real organic people, and that she’s now manipulating the system with bots,” he said. “If Nicki Minaj was manipulating systems with bots on Instagram, TikTok, X, do you not think there would be a conclusive data that they would have to present this instead of asking influencers to say yes?”

Rolling Stone’s attempts to reach Minaj were unsuccessful. Alex Bruesewitz, a friend of Minaj’s and political advisor to Donald Trump, told Politico, “Nicki has never used bot activity to promote herself on social media, because she doesn’t need to. She has one of the largest fan bases of any musician that’s alive today.”

Contacted for further comment as part of Rolling Stone’s outreach to Minaj, Bruesewitz reiterated this sentiment: “The notion that she would rely on bots for online support is utterly absurd,” he wrote in an email. “Cyabra is partnered with Roc Nation’s Chief Digital Officer, David Wander, and Cardi B’s agent, Mike G. Given that Nicki has had long-standing, public feuds with both Jay-Z/Roc Nation and Cardi B, this allegation seems to be a 100% fabricated hoax.” (G, a partner at United Talent Agency, and Wander both sit on the Cyabra Brand & Entertainment Council. A representative for Roc Nation did not return a request for comment.)

After Bruesewitz shared similar claims on X, Cardi B pushed back, noting that that Cyabra’s past customers include Elon Musk and Pepsi, and that Mike G also reps Lil Wayne. (“Isn’t that your friend CEO?” Cardi wrote, referring to Wayne’s role as the founder of Young Money Entertainment.) “You wanna involve me so bad for what but don’t wanna talk about none of the facts,” Cardi wrote.

Mike G also chimed in, writing, “Let’s be clear: my advisory role and investment in Cyabra along with multiple other tech companies has absolutely nothing to do with Cardi B. Cardi doesn’t need bots, narratives, or manufactured noise. She moves culture on her own. I invest in innovation. I represent artists. Those are separate lanes. Trying to spin this into something else is lazy and misleading.”

Interestingly, for all the focus on Minaj’s shifting politics, Cyabra concluded that the purpose of this alleged bot campaign was more personal than ideological. The goal, the report stated, was to focus “on reinforcing visible support for Nicki Minaj… in order to manufacture the appearance of broad public endorsement and a supportive fan base.”

More Stories

All the Pop Queens Are in the Studio Right Now
Maria-Juliana Rojas for Rolling Stone; Dave Simpson/Getty Images; Michael Hickey/Getty Images

All the Pop Queens Are in the Studio Right Now

New music is on the horizon — and these stars know it. In the past few weeks, artists like Olivia Rodrigo, Clairo, Dua Lipa, and Gracie Abrams have all shared photos from their respective studio sessions. While Rodrigo’s and Abrams’ pivotal third albums have been rumored to be coming for a minute, it’s exciting that all these pop girlies seem to be back in a big way.

Clairo kicked off the week with an Instagram photo dump that featured pictures from what looks to be like studio sessions, indicating that the singer may be getting ready to drop her fourth album. One grainy picture seems like it was a security camera shot of two guitarists and one keyboardist jamming in a recording studio. Two other pictures were more explicit: one is just a close-up of a piece of masking tape that reads “Clairo 4” and another shows the singer writing in a notebook with a Roland keyboard behind her.

Keep ReadingShow less
Quincy Jones’ Estate Sells Catalog, Including Stake in Michael Jackson Classics

Quincy Jones in 2016

Axelle/Bauer-Griffin/FilmMagic

Quincy Jones’ Estate Sells Catalog, Including Stake in Michael Jackson Classics

Quincy Jones’ family has struck an acquisition deal with HarbourView Equity Partners that will cover large swaths of his legendary catalog, including his stake in three classic Michael Jackson albums.

The deal covers Jones’ recorded music and publishing rights, including his interest in not only the three Jackson albums he produced (Off The Wall, Thriller, and Bad), but his own seminal composition “Soul Bossa Nova” and George Benson’s 1980 hit “Give Me the Night.” Also included are Jones’ ancillary rights in other assets, like his stake in The Fresh Prince of Bel-Air, on which he was an executive producer.

Keep ReadingShow less
‘These People Are So Stupid’: Live Nation Employees Boast About High Fees in Unsealed Messages

‘These People Are So Stupid’: Live Nation Employees Boast About High Fees in Unsealed Messages

Two Live Nation ticketing directors boasted about “robbing” fans blind and “taking advantage of them” with high fees in newly unsealed chat records tied to the company’s antitrust lawsuit.

The chats, first reported by Bloomberg, were sent between Ben Baker and Jeff Weinhold, who were then serving as regional directors of ticketing for Live Nation amphitheaters. The pair appeared to be speaking primarily about “ancillary fees” related to things like parking and VIP access, as opposed to service fees tied directly to tickets. Though at one point, Baker said, “I gouge them on ancil prices” to make up for changes in the base prices for seats.

Keep ReadingShow less
Kanye West Found Liable at Mansion Trial. Jurors Slam His Sleepy Testimony

Kanye West at the Grammy Awards at Crypto.com Arena in Los Angeles in 2025

Gilbert Flores/‘Billboard’

Kanye West Found Liable at Mansion Trial. Jurors Slam His Sleepy Testimony

Kanye West, the musician now known as Ye, was found liable by a jury Wednesday after a man said he was seriously injured during the controversial gutting of Ye’s $57 million Malibu mansion in 2021.

The plaintiff, Tony Saxon, had asked for $1.7 million in compensatory damages. But in the mixed verdict that included several wins for Ye, the jury awarded only $100,000 for past and future medical expenses and another $40,000 for past pain and suffering. Jurors declined to award any damages for future pain and suffering and did not impose punitive damages. They found that Saxon had not been wrongfully terminated and that Ye did not engage in “malice, oppression, or fraud.” (Ye also is on the hook for Saxon’s reasonable attorneys’ fees and costs.)

Keep ReadingShow less
John Lennon, Yoko Ono Concert Film ‘Power to the People’ Heads to Cinemas This Spring

John Lennon and Yoko Ono

Michael Negrin © Yoko Ono Lennon

John Lennon, Yoko Ono Concert Film ‘Power to the People’ Heads to Cinemas This Spring

A concert film of John Lennon and Yoko Ono‘s monumental 1972 Madison Square Garden concert will hit cinemas this spring. The film, whose official title is longer than its running time, Power to the People: John & Yoko/Plastic Ono Band With Elephant’s Memory and Special Guests – Live at the One to One Concert, New York City, 1972, will hit theaters on April 29 and May 3. Tickets go on sale March 20 via a special website for the film.

As every armchair Lennonologist and Onoologist knows, the former Beatle performed only two full concerts, the now legendary benefit gigs to raise a reported $1.5 million for developmentally disabled children, after the Fab Four broke up. Both took place on Aug. 30 with a truncated matinee preceding a full-length, star-studded extravaganza. Stevie Wonder, Roberta Flack, Melanie, and Sha Na Na all made appearances at the gig. The set list included “Give Peace a Chance,” “Imagine,” “Come Together,” and “Instant Karma!” among other hits.

Keep ReadingShow less